Film and TV

Lancelot Oduwa-Imasuen’s “August Meeting” And The Cultural Relevance Of An Annual Convergence

By Michael Chiedoziem Chukwudera One of the finest achievements of Nollywood over the decades is…

Movie Review: Izu Ojukwu’s “76” Excels As A Period Piece With A Knack For Detail

By Vivian Nneka Nwajiaku It is often said that Nigerians don’t know their history. Many…

“Awon Boyz,” an Emotive Documentary on the Lives of Lagos Hustlers, Now Streaming Globally on Netflix

Awon Boyz, a documentary that takes a close look at the lives and passions of…

Movies From The Vault: Chineze Anyaene’s “Ijé: The Journey” Is A Compelling Take On The Nigerian Dream

By Vivian Nneka Nwajiaku The Nigerian dream is to japa. In a country that stifles…

Movie Review: Kathryn Fasegha’s “Two Weeks In Lagos” Is Forgettable Schlock

It is commonplace to find that romantic films are set in big cities, and when…

Blackstar Film Festival: Renee Maria Osubu’s “Dear Philadelphia” Is A Song Of Hope For Black Communities

By Jerry Chiemeke For decades, black communities have been mired in socio-economic misery, and their…

Blackstar Film Festival: Susy Pena’s “This Is Forever” Examines Identity, Immigration And Family Bonds

By Jerry Chiemeke For immigrants who slug it out in first-world countries, life can be…

Movie Review: Femi Ogunsanwo’s “Finding Hubby” Defies Stereotypes, But Falls Just Short Of Being Memorable

By Vivian Nneka Nwajiaku Literary adaptations are not exactly Nollywood’s stock-in-trade. On the few occasions…

Blackstar Film Festival: Jonelle Twum Subtly Explores Race, Immigration And Capitalism In “A Mother’s Body”

By Jerry Chiemeke In many first-world countries, women of colour take up multiple jobs to…

Blackstar Film Festival: Akinola Davies Jr’s “Lizard” Is A Short But Compelling Watch

By Jerry Chiemeke All lizards lie prostrate. No one knows which of them has belly…