Film and TV

The Girl in the Yellow Jumper Movie Review: Ugandan Thriller Thrives on a Story of Improbabilities and Suspense

In “The Girl in the Yellow Jumper”, Ali successfully triggers in viewers the eagerness to…

Chief Daddy 2 Review: Netflix’s Sequel Is a Bad Start to an Initially Promising Year

Chief Daddy 2 is an unapologetically pointless movie that does not so much as attempt…

A Naija Christmas Review: Kunle Afolayan’s Delightful But Unsatisfactory Christmas Romp

Essentially, the movie, A Naija Christmas is only original in its outlook. There is that…

Whose Funeral Is It? A Review of “How To Ruin Christmas” Season 2: “The Funeral”

This is where “The Funeral” shines brightest: in the subtle but clear evidence of growth…

Nollywood Horror Film “Hex” Review: A Clarence Peter’s Experimental Foray Into Film Making

What matters to viewers, ultimately, is that a horror film delivers some type of heightened…

Netflix Series: A Review of South Africa’s “How To Ruin Christmas: The Wedding” First Season on Netflix

If you thought that Nollywood’s blockbuster film series “The Wedding Party” showed how bad things…

AMAA 2021 Awards: A Breakdown of the Wins and the Winners’ Losses

Afrocritik presents a breakdown of AMAA 2021 awards winner in each category and the losses…

“Fine Wine” Review: Seyi Babatope’s Romantic Drama Comes Close To Being a Classic

…as Christmas approaches with its own packages, “Fine Wine” re-emerges after its initial release in…

“Happiness Ever After” Review: In This South African Romantic Drama, Choosing Oneself Is True Love

Imperfect as it is, “Happiness Ever After” is a romantic drama that is pleasing to…

“Oga Bolaji” Review: Kayode Kasum’s Slow But Rewarding Social Commentary

Oga Bolaji’s story is simple, beautiful and somewhat different from what we are used to…