Music

Goodgirl
“Goodgirl” Review: GoodGirl LA Reintroduces Her Vibrant Uniqueness on New EP

Goodgirl is a body of work that feels deeply enjoyable, highly replayable, and emotionally resonant.…

Fimí
In Conversation: Fimí Talks Rap, Creative Confidence, and Finding Her Voice Through Music

“It doesn’t matter if you’re coming with raw bars or leaning into melody, there’s an…

Spotlight
Afrocritik Weekly Music Spotlight: Second Bridge Week

Afrocritik Weekly Music Spotlight: Second Bridge Week By Yinoluwa Olowofoyeku Hello again, lovely people. We…

No Sign of Weakness
“No Sign of Weakness” Review: Burna Boy’s LP Is Technical, Polished, Yet Safely Played

Burna Boy will always exude creativity, but on No Sign of Weakness, the boundaries he…

Paradise Now
“Paradise Now” Review: Obongjayar’s Sophomore Album Is a Fitting Treatise on Self

On Paradise Now, Obongjayar invites us to create our paradise in the present, recognising that…

Afro-Gospel
10 Artistes Leading the Afro-Gospel Sound in 2025

Fast forward to today, Afro-Gospel continues to thrive as a growing force connecting deeply with…

Spotlight
Afrocritik Weekly Music Spotlight: Bridge Week

Afrocritik Weekly Music Spotlight: Bridge Week By Yinoluwa Olowofoyeku Hey there, auditory adventurers!  Hello family,…

Sweet Songs 4 You
“Sweet Songs 4 You” Review: Lasmid and Tml Vibez Combine Seamlessly on New Collaborative Album

Sweet Songs 4 You is a wildly entertaining ride: warm, textured, romantic, and confidently experimental.…

Captain
“Captain” Review: BNXN’s Sophomore Album Is a Steady Voyage Through a Familiar Soundscape

Ultimately, Captain doesn’t present a reinvention of BNXN; instead, it leans into what he already…

Lagos Lover Boy
“Lagos Lover Boy” Review: Ric Hassani Crafts a Cohesive Portrait of Urban Romance

Lagos Lover Boy is a coherent and thoughtfully constructed body of work. It shows an…