Music

Fuji Moto
“Fuji Moto” Review: Seyi Vibez’s Ambitious Album Lacks Coherence

More problematically, for a project ostensibly designed as homage to Fuji, Fuji Moto is curiously…

Perliks
How Perliks Became Nigeria’s Most Story-Driven Music Video Director

“So even years from now, I want people to watch my videos and still feel…

Sabali
“Sabali” Review: Peruzzi’s Long-Awaited Album Reasserts His Status as Afro-Pop’s Melody King

Sabali reinforces Peruzzi’s indispensable position in Afro-Pop as the genre’s melody king and one of…

Shona
On “Psalm 23” and “Psalm 16”, Shona Raps the Shepherd’s Love into Sound [Review]

Without a pew, a pulpit, and without taking the hours of parishioners, Shona, like a…

Maison Rouge
“Maison Rouge” Review: Mr Eazi’s Intimate EP Is a Love Letter to Banku Music

Maison Rouge is a deliberate callback to the Banku Music era, with its characteristic sun-soaked…

Wizkid
How Wizkid Redefined Nigeria’s Sonic Landscape With “Made In Lagos”

It has been five years since Made in Lagos first graced our ears, yet it…

beef
Has Nigerian Hip-Hop Found Its Mojo Again?

Listeners still crave the wordplay, punchlines, creativity, and raw artistry that make rap magnetic. More…

No Excuses
“No Excuses” Review: Blaqbonez Reaffirms His Status With Swagger, Skill, and Clarity

No Excuses stakes a claim: the Nigerian rap scene should take Blaqbonez as seriously as…

Fuji
“Fuji” Review: Adekunle Gold’s Sixth Album Honours Fuji’s Legacy With Modern Sensibility

For all the reverence and cultural gravitas the album title suggests, Fuji isn’t a full-bodied…

Spotlight
Afrocritik Weekly Music Spotlight: Mega Catch-Up

Afrocritik Weekly Music Spotlight: Mega Catch-Up By Yinoluwa Olowofoyeku Hello! Greetings to all the brave…