Music

FirstKlaz
The Neo-Arewa Soundscapes of FirstKlaz

“I think Arewa Sound is something really special, but it hasn’t been fully tapped into…

Spotlight
Afrocritik Weekly Music Spotlight: Soul & Groove

Afrocritik Weekly Music Spotlight: Soul & Groove By Yinoluwa Olowofoyeku Hello again, musical explorers. We…

Ingubo Enamehlo
“Ingubo Enamehlo” Review: Halo Yagami Tugs At Heartstrings Across New Album

With Ingubo Enamehlo, Halo Yagami has crafted a body of work that is both emotionally…

Spotlight
Afrocritik Weekly Music Spotlight: Detour Week II

Afrocritik Weekly Music Spotlight: Detour Week II By Yinoluwa Olowofoyeku We hope you’re doing well…

WWP
“WWP” Review: Tyla Returns to Form on New EP

WWP delivers exactly what fans have come to expect of Tyla. It doesn’t stretch or…

Alté
10 Rising African Alté Artistes to Watch in 2025

In 2025, the Alté movement continues to evolve, with an inventive new class of African…

Spiral
“Spiral” Review: Tim Lyre Charts Cycles of Love and Life on Sophomore Album

Spiral is one of the more thematically cohesive albums in recent memory. The songs exist…

Spotlight
Afrocritik Weekly Music Spotlight: Detour Week

Afrocritik Weekly Music Spotlight: Detour Week By Yinoluwa Olowofoyeku Greetings, my acoustic adventurers! We hope…

The Summer That Saved Me
“The Summer That Saved Me” Review: Odeal Bottles Newfound Freedom and Clarity on New EP

The Summer That Saved Me arrives as a project whose impact is far greater than…

Victims of Madness 2.0
“Victims of Madness 2.0” Review: Wakadinali Chooses Refinement Over Reinvention

While each Wakadinali artiste performs within their domain of expertise, the absence of aesthetic progression…