Music

Adedamola
“Adedamola” Review: Fireboy DML Reinvents Himself With New Project

Adedamola is a versatile and meticulously crafted project that showcases Fireboy DML’s vocal dexterity, penmanship,…

“Bandito”
“Bandito” Is an Unusual Offering From Dre Foryoursoul

“Bandito” is not a song of denial but a recognition of one’s personality and flaws.…

Xblaze
Meet Xblaze, the Nigerian Producer Revolutionising the European EDM Scene

As fans and critics alike eagerly anticipate what comes next, one thing is certain: the…

A cross-section of African album covers
The Art Behind the Music: Why Album Covers Matter

Whether through minimalist designs, intricate artwork, or striking photography, album covers remain an essential tool…

King
“King” Review: Jeriq Declares His Supremacy With New Album

Jeriq’s King is a jubilant album. Throughout its runtime, the songs burst with enthusiasm, practically…

Grime, Glory & Afropop
Wonu Osikoya Documents Afrobeats History From a Fresh Perspective With “Grime, Glory & Afropop”

What Osikoya’s docu-series does skillfully is to tell the Afrobeats story from a fresh, contemporary…

No Love in Lagos
“No Love in Lagos” Review: Show Dem Camp, The Cavemen & Nsikak David Deliver a Masterful Blend of Highlife and Hip-Hop

No Love in Lagos is a deeply reflective body of work that captures the complex…

Purple Doesn't Exist
“Purple Doesn’t Exist” Review: A-Q’s Experience Serves As The Backdrop For A Poetic Prowess

A-Q’s Purple Doesn’t Exist marks his transition from being a proficient emcee to a major…

Lungu Boy
“Lungu Boy” Review: Asake’s Sonic Leap Stumbles on Thematic Cohesion

Lungu Boy struggles to present a cohesive portrayal of Asake’s journey; while it seeks to…

Chike
The Creative Pulse of Chike: An Artiste’s Narrative

“I feel different things when I make music, and I try to squeeze them into…