Music

Purple Doesn't Exist
“Purple Doesn’t Exist” Review: A-Q’s Experience Serves As The Backdrop For A Poetic Prowess

A-Q’s Purple Doesn’t Exist marks his transition from being a proficient emcee to a major…

Lungu Boy
“Lungu Boy” Review: Asake’s Sonic Leap Stumbles on Thematic Cohesion

Lungu Boy struggles to present a cohesive portrayal of Asake’s journey; while it seeks to…

Chike
The Creative Pulse of Chike: An Artiste’s Narrative

“I feel different things when I make music, and I try to squeeze them into…

A cross-section of albums utilising an album rollout
The Power and Essence of Album Rollouts

In the face of the hype created around singles in the internet age, good album…

DVNTE
“DVNTE” Review: Rhatti’s Ingenious Fusion Project Is a Nostalgic Journey Through the 90s

With DVNTE, Rhatti establishes himself as an artiste with a profound ear for sound fusion,…

Mood 4 Life
“Mood 4 Life” Review: Victoria Kimani’s Album Is Just as Beautiful as It Is Layered

Mood 4 Life exemplifies intricate music-making that prioritises hybridisation over a traditional approach to music.…

Homeless
“Homeless” Review: Llona’s Debut Album Is Raw and Reflective

Homeless is a powerful and poignant exploration of Llona’s resilience and vulnerability. By Hope Ibiale…

Son of Chike
“Son of Chike” Review: Chike Hits the Perfect Trifecta With Third Album

Son of Chike represents a brilliant confluence of Chike’s musical artistry and the cadence of…

Are you Listening?
“Are You Listening?” Review: Taves’ New Project is a Sonorous Blend of Emotions

In his latest project, Taves continues his journey of consistency while weaving tales of love…

HEIS
“HEIS” Review: Rema’s Sophomore Album is a Radiant Emblem on Afro-Rave

Beyond HEIS’ polarised reception, Rema is blending rare colours to create an even rarer palette,…