Music

After All, Omah Lay Isn’t So Alone On “Boy Alone”

Omah Lay presents you an overview of appreciable sex, but its enjoyment comes within the…

Omah Lay Blossoms On “Boy Alone” LP 

From the opener to the last track, Omah Lay tells appropriately-arranged stories of struggle, triumph,…

“Love Damini” is a Cathartic Epistle From Burna Boy 

Love Damini falls short of Twice As Tall. It is not as stately as African…

Fire
Candy Bleakz’s “Fire” EP is a Mid Debut

Fire is a one-dimensional project. Rather than show her sonic diversity, Candy Bleakz seems to…

Rated
Ceeza Milli’s “Rated” EP is a Subpar Return 

Rated doesn’t sound like the much-desired update on Ceeza Milli’s artistry; rather, it raises some…

Buga
Kizz Daniel Unveils a Carnival For Buga Video

The Buga video serves as evidence that when an artiste spends good money in music…

Asake’s “Peace Be Unto You (PBUY)” Video is a Quintessence of Short Filmmaking

It seems as though an artistic chemistry exists between Asake and Omori as Asake’s songs…

“The Second Wave Deluxe” EP is Ruger’s Best Attempt with Words

While fans might have penciled the likes of Omah Lay and Victony as the guys…

Seven French-African Artistes Worth Listening Today

By Chinonso Ihekire As I got indoors, last weekend, after a long day traversing the…