Music

Portable Omolalomi, Zazoo, And The Endless Evolution of Afro Street Pop

Why is this genre so special? And why is it in an endless cycle of…

Fireboy x Ed Sheeran’s “Peru Remix” is a Worthwhile Duet

The only seeming defect of Peru Remix is its nearly perfect synchronisation with the original.…

Afrocritik’s Best 25 African Albums of 2021

By Owanate Max-Harry, Chinonso Ihekire, Fatiat Saliu, Michael Chiedoziem Chukwudera, and Emmanuel Daraloye 2021, a…

“Back 2 Basics”: Is R2Bees the New Preacher of Love?

…R2Bees has been an integral part of the Ghana music industry, and oftentimes, their influence…

Banky W’s EP “The Bank Statements” Reveals His Evolution

“The Bank Statements” champions the trinity of the evangelical, the political and the romantic. And…

Kizz Daniel Upholds His Excellent Staple in “Barnabas”

In “Barnabas,” Kizz Daniel showcases his growth in his sound, delivery, the stories he chooses…

Review: Nikita Kering’s “A Side Of Me” Is an Intriguing Start For the Kenyan Sweetheart

Nikita Kering might be only 19 years old and still fresh within the music scene,…

Wani Comes Off Stronger On Sequel Project, “Lagos City Vice 2”

With a childhood split between Nigeria, the USA, and the UK, the sound and culture…

Davolee Debut Album “Earning Wish” Finally Unfurl His Artistry

Davolee debut album delivered a full course meal to the fans. The meal is sumptuous…

“Something to Live For” Adds Little to Phyno’s Reputation

Phyno’s fans deserve something better than this in a project grandly titled “Something to Live…