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Royalties 101: How Music Actually Makes Money
Joburg Film Festival 2026 Wraps as Award Winners Are Announced
S16 Labs Welcomes Applications For Inaugural Edition
Features & Essays
Ogbanje or Abiku Phenomenon: An African Spirit-Child Myth or the Enigma of Modern Health Struggles?
X Is Doing Us In and We Don’t Know It
Fusion and Superimposition in Mede Akran’s Photography
What Happened to Nollywood Sitcoms?
Opinion: Is It Time to Revamp the Judge Selection for the NLNG Nigeria Prize for Literature?
Igbobinna Eze: An Artist Staying True to His Spirit
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Interviews
In Conversation: Camillo Doregos on Managing Mr Eazi, Pheelz, and Key Industry Lessons
In Conversation: Mark Mac on Amapiano’s Evolution and the Trials of Talent Management
The Creative Pulse of Chike: An Artiste’s Narrative
In Conversation: Kcee Talks “Mr. Versatile”, Culture, and the Art of Reinvention
In Conversation: Simbarashe Steyn Kundizeza on Crafting His Island Prize Winning Manuscript, “Freelance”
Itegboje Daniel is Effecting Societal Change Through Documentary Filmmaking
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Film & TV
“Milisuthando” Review: Bongela-Davis’ Film Places the Nation in the Mirror of a Single Life
“3 Cold Dishes” Review: Asurf Oluseyi’s Cold Revenge Thriller Arrives Lukewarm
AFRIFF 2025: Atlanta Bridget Johnson Has More to Give Than Kayode Kasum’s “Fractured” Has to Offer
AIFF 2025: “Together Apart”, “Jimbi”, and “I Can Smell a Rat” Navigate the Edges of Humanity
AIFF 2025: In “Radia”, Khaoula Assebab Benomar Crafts a Stark Portrait of Widowhood, Agency, and the Cost of Becoming
AFRIFF 2025: Zoey Martinson’s “The Fisherman” Mines Humour in the Pursuit of Dreams and the Tensions That Accompany Change
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Music
Afrocritik Weekly Music Spotlight: Potential Showcase
“Not Guilty” Review: Terry Apala Celebrates Freedom on Compact EP
Afrocritik Weekly Music Spotlight: Soul & Groove II
“444PLAY” Review: Minz’s New EP Explores a Breezy Expansion of His Eclectic Pop Textures
“Black Star” Review: Amaarae’s Boldness Finds Energetic Expression on New Album
The Neo-Arewa Soundscapes of FirstKlaz
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VIDEOS
Welcome to our YouTube Channel
Books
Dhee Sylvester: The Designer Revolutionising Nigerian Book Covers
“While She Slept” Review: Kumashe Yaakugh’s Novella Explores Ghosts, Memory, and Masculinity
“The Ones Before You” Review: Joba Ojelabi’s Chapbook Speaks to the Burden of Inheritance
“A Kind of Madness” Review: Uche Okonkwo’s Collection of Short Stories Explores the Ramifications of Figurative Madness
“Five Things Mother Did Not Prepare Me For” Review: Sumaiyah Muhammad’s Story Explores Intra-Familial Chaos And The Quest For Peace
“Dream Count” Review: Chimamanda Ngozi Adichie’s Novel Psychoanalyses the Intangibility of Dreams
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Culture
Sensational Book Titles: A New Trend in Nigerian Literature?
Afrocritik Turns Three: What It Means to Amplify African Voices
The Cultural Renaissance of East African Theatre and Performing Arts
Mara: What to Know About the Viral Hyper-Fast and Energetic Sound
All the Fuss About Afrobeats, Its “Way-Pavers” and Frontliners
Is Controvesy the Linchpin that Keeps Portable in the Spotlight?
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Fashion
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Sports
Egypt vs. Morocco Preview: North African Rivals Face off for 2024 Paris Olympic Football Bronze
African Weightlifting Contenders at the 2024 Paris Olympics: A Comprehensive Preview
African Basketball in Paris: South Sudan and Nigeria Face Formidable Olympic Hurdles
Paris 2024: Tobi Amusan and the Olympic Dream
Kaylia Nemour: Africa’s Hope for a First-Ever Olympics Gymnastics Medal
Biniam Girmay: Breaking Barriers as the First Black African Tour de France Champion
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Explainers
Fiction & Poetry
Contranormative: A Monologue | Poem by Precious Chidera Harrison
Broken Vessels and Other Poems | By Feyijimi Fayowolé
First Rain | Fiction By Chimezie Okoro
How to Blackmail God | Poem By Felix Eshiet
Rich People’s Street | Poem By Obongofon Etuk
Good Guys Finish Last | Fiction by John “Penwielder” Ebute
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