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Royalties 101: How Music Actually Makes Money
Joburg Film Festival 2026 Wraps as Award Winners Are Announced
S16 Labs Welcomes Applications For Inaugural Edition
Features & Essays
Why Copyright Protection Matters For The Future of Nollywood
Opinion: The Rising Rap Scene in the East and What the Rappers Are Getting Wrong
A Brief History on the Visual Language of Sex in Cinema
Opinion: Why Calling Don Jazzy an Influencer is an Erasure of His Impact on Afrobeats’ Global Dominance
In the Wake of Ojo Taiye’s Sneaky Poetry, How Should Plagiarism in the Nigerian Literary Community Be Addressed?
Artificial Intelligence, Neocolonialism, and the Politics of the English Language
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Interviews
In Conversation: Nollywood Film Editor, Martini Akande, Dissects the Anatomy of Editing a Memorable Scene
Oscar Korbla Mawuli Awuku Uses Art to Redefine the Narrative on Indigenous Ghanaian Culture
Filmmaker, Gelax Bolaji’s Documentary, “Silent Tumors”, Spotlights the Silence Struggles of Women with Fibroids in Nigeria
DhannyJazz The Saxifier and The Beauty of Instrumental in Music
World Scrabble Champion, Wellington Jighere, is Putting Nigeria on the Global Sports Stage
Moussa Sène Absa and the Trilogy that Redefines African Femininity in Film
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Film & TV
“Creators Have Been Blessed With An Opportunity To Start Conversations”: Wale Davies on Writing “My Father’s Shadow”
Animating Africa: Inside the Rise and Realities of African Animation
BFI London Film Festival 2025: Susan Wokoma Interrogates British Educational System In Incisive Directorial Debut, “Dark Skin Bruises Differently”
25 Nollywood Films That Explore Nationhood, Independence, and Self-Discovery
“My Father’s Shadow” Review: Akinola Davies Jr.’s Intimate Tribute to Fatherhood, a Nation in Distress, and Its Biggest City
30 Nollywood Films That Explore African Spirituality and Tradition
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Music
“Lagos Lover Boy” Review: Ric Hassani Crafts a Cohesive Portrait of Urban Romance
Afrocritik Weekly Music Spotlight: Easing In
“The Prince of the Street” Review: Ayo Maff’s Strongly Themed Debut Still Needs More Range to Soar
“GE3 (The Beginning)” Review: A-Q Closes His Trilogy With Precision and Purpose
Afrocritik Weekly Music Spotlight: Subtle Twists
Loud Urban Choir Is Redefining Choral Music in Afro-Pop
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VIDEOS
Welcome to our YouTube Channel
Books
The 2024 Caine Prize Shortlist Speaks on the Condition of the Times We Live In
“Water Baby” Review: Chioma Okereke’s Book Explores Resilience and the Power of Community
Pemi Aguda’s “Ghostroots” Explores Nigeria’s Everydayness and Otherworldliness
“Kibogo” Review: Scholastique Mukasonga’s Book Dives Into Rwanda’s Tumultuous History With Christianity
“The Liquid Eye of a Moon” Review: Uchenna Awoke’s Novel is an Eye-Opening Story of Belonging, Desire, and Hope
“Blessings” Review: Chukwuebuka Ibeh’s Debut Novel Explores the Epiphany of Self and Conflict of Identity
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Culture
Pilfering Money In God’s Name: How Nigerian Pastors Are Making The Gospel Look Like A Ponzi Scheme
Here Are Six Ways To Pull Off A Romantic Weekend In Nigeria
How The Igbos Get Around To Naming Their Children
Obi Cubana, “Igba Boy” And Igbo Communalism
Ọja, The Musical Instrument Which Mirrors Igbo Individuality and Spirituality
Asaba, The Nigerian City That Perfectly Illustrates The Importance Of Spending Power
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Fashion
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Sports
The Never-Ending Upheavals of the Nigerian Basketball Federation
World Scrabble Champion, Wellington Jighere, is Putting Nigeria on the Global Sports Stage
Racheal Kundananji: Becoming the World’s Most Expensive Female Footballer
Kelvin Kiptum: A Tribute to an Athletic Phenomenon
Côte d’Ivoire Seizes African Cup of Nations Victory Over Nigeria
AFCON 2023: The Differential Teams That Made History
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Explainers
Fiction & Poetry
Waltz Beyond the Veil | Obongofon Etuk
i’d like to own an elephant — that’s no bigger than a peanut | temidayo okun
A Poem Where Goodbye(s) Means What the Hands Cannot Hold Anymore | Anderson Moses
Off River Road, a Girl Plays a Sax Solo to Truncate the Intricacies of My History | Frank Njugi
Green Zone | Jide Badmus
Two poems | Adesiyan Oluwapelumi
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