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Nigerian Bodybuilder Andrew Jacked Wins 2026 Arnold Classic Men’s Open Title
The Ethics of Knowledge and the Difficult Conversation Around Book Piracy in Africa
Royalties 101: How Music Actually Makes Money
Features & Essays
Why We Can’t Get over the Allure of Nostalgia in Pop Culture
Bisa Kdei on “Original,” the Fragility of Life, Career Longevity, and Future Plans: In Conversation with Afrocritik
Play Network Studios’ Preference for Remakes: What is the Thought of Stakeholders?
With Rap Music, thellO is Building a Legacy of Musical Excellence
Where Are the African Nonfiction Prizes?
Why You Dress the Way You Do: Is There a Link Between Fashion and Identities?
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Interviews
Film & TV
“Dahomey” Review: Mati Diop’s Documentary is a Powerful Commentary on Decolonisation
“Christmas in Lagos” Review: Jade Osiberu’s Latest Film Falls Short of Christmas Romcom Standards
“Seven Doors” Review: Femi Adebayo’s Directorial Debut is Impressive
10 African Movies to Watch for a Good Laugh
“A Danfo Christmas” Review: Sebastian Ukwa is Committed to Telling Heartfelt Stories
“On Becoming a Guinea Fowl” Review: Rungano Nyoni’s Award-Winning Sophomore Film Shatters Traditional Female Neglect
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Music
Opinion: We Have Taken Afrobeats to the World, and Now They Are Taking It From Us
The Resonance of Locality in Afro-Pop’s Global Rise
“Hard Guy Confessions” Review: Johnny Drille and Don Jazzy Unmask the Vulnerabilities of Love
Afrobeats’ Most Iconic Feuds Over the Years
“Morayo” Review: Wizkid Balances Grief and Groove on Sixth Album
“Sama” Review: Maua Sama’s EP Is the Sound of Self-Expression
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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