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Nigerian Bodybuilder Andrew Jacked Wins 2026 Arnold Classic Men’s Open Title
The Ethics of Knowledge and the Difficult Conversation Around Book Piracy in Africa
Royalties 101: How Music Actually Makes Money
Features & Essays
Has the INEC Fufilled All Its Promises?
Do Africans Need White Weddings?
Is the Igbo Apprenticeship System Alive and Well?
“My Move into Singing is Not a Transition,” Pheelz: In Conversation with Afrocritik
From Modeling to Acting, “Dark October”’s Chuks Joseph Charts His Transition to Nollywood
What is Fela’s True Legacy?
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Interviews
Film & TV
“Umjolo: The Gone Girl” Review: Fikile Mogodi’s Debut Feature Lacks Substance
“Loose Cannon” Review: Olisa Eloka’s Short Film Is a Reminder of War’s Devastating Consequences
“Hijack ‘93” Review: Robert O. Peters’ Thriller Fails to Take Flight
“At Ease” Review: Seun Richards’ Directorial Debut Is a Refreshing Take on War Trauma
“Inside Life” Review: Clarence Peters Explores Dark Realities at a High Emotional Cost
10 Films That Have Shaped Nollywood
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Music
The Best Nigerian Music Videos Released So Far in 2024
20 Nigerian Underground Songs That Should Be On Your Playlist
10 Nigerian Music Snippets Left Unreleased
Top 10 Conscious Songs from East Africa
15 Best Conscious Songs From Nigeria
“Sui Generis” Review: Reminisce’s New EP Is a Gritty Fusion of Indigenous Rap and Fuji Rhythms
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Fashion
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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