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Afrocritik’s Music Spotlight: Big Emotions
Nigerian Bodybuilder Andrew Jacked Wins 2026 Arnold Classic Men’s Open Title
The Ethics of Knowledge and the Difficult Conversation Around Book Piracy in Africa
Features & Essays
Onyeka Nwelue is Providing a New Way of Seeing and Extending Legacies
Nollywood’s Takeover in the Forthcoming 2023 Elections: A Possible Political Revolution, or Not?
Can Nigerian Music Be More Eco-Sensitive?
Hike in Food Prices is Causing a Shift in Consumer Preference in Africa, Research Now Says
Despite Africa’s Illustrious Political Past, Why Are African Countries Failing?
The Single Narrative About Africa is Exhausting
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Interviews
Film & TV
“Musangwe” Review: Lufuno Nekhabambe’s Debut Film Futilely Fondles with South African Culture
“Casa de Novia” Review: Uyoyou Adia’s Comedy Ghost Story is Nollywood Retro Dressed Up in Fancy Lights
“Heart of the Hunter” Review: Another Action Thriller That Flatters to Deceive
iREP Film Festival 2024 Dispatch: Righting the Future Through Documentary
FilmOne Studios Releases Trailer for New Film, “Aburo”
“Áfàméfùnà” Review: Kayode Kasum’s Heartfelt Love Letter to Igbo Enterprise Could Use Better Structuring
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Music
“R2 Sept 12” Review: Bella Shmurda Navigates Loss and Resilience on His Latest Project
“Nyumbani” Review: Ally Fresh and Mura K.E Curate a Distinct Kenyan Musical Identity with New EP
Opinion: The Rising Rap Scene in the East and What the Rappers Are Getting Wrong
Understanding Music Marketing Beyond Publicity Stunts: A Guide for African Artistes
10 Urban Music Genres Unique to East Africa
Aniela Makes A Brazen Debut With “Magic”
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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