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Afrocritik’s Music Spotlight: Big Emotions
Nigerian Bodybuilder Andrew Jacked Wins 2026 Arnold Classic Men’s Open Title
The Ethics of Knowledge and the Difficult Conversation Around Book Piracy in Africa
Features & Essays
The Nigerian Comedy Industry is in Need of Structure and International Exposure
Abortion Ban, and the Fate of African Women in the US
Despite Strict International Laws, Challenges Abroad, Young Africans are Still Crossing Borders
Tems’ BET Win is a Glimpse into the Future of African Music, and African Women in Music
Is the New Wave of the Corset Changing the Way Women View Their Bodies?
Reconciling the Loss of the Mother Tongue, and Learning to Speak It Again
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Interviews
Film & TV
In Conversation: Nollywood Film Editor, Martini Akande, Dissects the Anatomy of Editing a Memorable Scene
“Japa!” Review: Isioma Osaje’s Speculative Debut Feature is Convoluted Beyond Genre Expectations
Nollywood and the Evolution of the Sacred Feminine
Moussa Sène Absa’s “Xalé” Set to Tour Nairobi in March
“Blood & Water” Season 4: The Downfall of Africa’s Most Promising Netflix Series
“The Fisherman’s Diary” Review: Enah Johnscott’s Film Advocates for Gender Inclusion in Education
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Music
“Love Lust” Review: Funbi Journeys Through Love and Longing on New EP
Afrocritik Weekly Music Spotlight 2024: Week 8
Ugoccie Delves into Highlife in New EP, “Voice of the East”
“Rhymebook Ya Nutcase” Review: King Kaka Takes a Trip Down Nostalgia Lane
“Realness Over Hype” Review: Victor AD Reinforces Himself as a Sonic Conveyor of Hope
Charles Onyeabor’s “Black or White” Inspires Global Unity Across Diverse Lines
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VIDEOS
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Books
Culture
Fashion
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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