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Nigerian Bodybuilder Andrew Jacked Wins 2026 Arnold Classic Men’s Open Title
The Ethics of Knowledge and the Difficult Conversation Around Book Piracy in Africa
Royalties 101: How Music Actually Makes Money
Features & Essays
How Women are Constantly Objectified in Nigerian Comedy
Black on Black Discrimination and the Ignorance of Our Collective Histories
Cultural Baggage: Should African Women Prove their Worth Only Through Suffering?
The Writer’s Dilemma: The Anxiety of Influence and Originality
The Mental Health Pandemic: Why More Men Will Keep Suffering in Silence
Child Marriage, and the Need to Take Action
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Interviews
Film & TV
“Subjects of Desire” Review: Are We Ever Going To Get over the Idea of Cultural Appropriation?
“Safari” Review: Bill Afwani-Directed Film Is a Successful Casting of Child Actors
“Gangs of Lagos” Review: In Jade Osiberu’s Crime Thriller, Pre-Electoral Manipulation, Defeated Dreams, and Friendship Take Center Stage
“Unseen” Review: Travis Taute’s Crime Thriller is an Attempted Exploration of the Life of a Working-Class Woman
“African Folktales Reimagined” Review: Netflix and UNESCO Present a Timeless Glorification of Africa’s Legends and History
“The Trade” Review: Jade Osiberu Serves Thrills in this True Crime-Inspired Hidden Gem
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Music
“Anomaly” Review: Dunnie’s Enjoyable Melodies is Marred by Subpar Songwriting
Mayorkun Plays It Safe on “Love.. For Free” EP
“Chocolate Daddy” Review: Orezi Marks an Exciting Return in His Own Terms
“Sankofa” Review: Azawi Unpacks Layers of Love and Heritage on New Album
“Love and Chaos” Is a Beautiful, Heart-Swelling, Sonic Time Out with Kuami Eugene
“Unboxed” Review: Nissi’s Sophomore EP is a Fantastic Experimental Project
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Fashion
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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