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Afrocritik’s Music Spotlight: Big Emotions
Nigerian Bodybuilder Andrew Jacked Wins 2026 Arnold Classic Men’s Open Title
The Ethics of Knowledge and the Difficult Conversation Around Book Piracy in Africa
Features & Essays
Why We Have Poor Reading Culture in Nigeria
From Stan Culture to Die Hard Fans; What Motivates Supporters to Extreme Loyalty?
From Alomo Bitters to Kayan Mata; How Africa’s Sex Stimulant Industry is Booming
Adedayo Agarau’s Poetic Heart and Vision for African Poetry
Regulating Africa’s Informal Money Lenders
A Survival Guide For Working During the Christmas Season
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Interviews
Film & TV
“Side Dish” Review: A Single Night’s Decision Changes Everything in Mandla Ngcongwane’s Crime Series
“4-4-44” Review: Izu Ojukwu’s Period Film about Love and Mental Health Can’t Find Its Spark
“Battle on Buka Street” Review: Nollywood Returns Home in Funke Akindele’s Polygamy Comedy
Adebayo Tijani’s “Ijakumo: the Born Again Stripper” is Only Half as Good as it Promised To Be
“How to Ruin Christmas: The Baby Shower” Series Review: Third Season Has Same Formula, More Drama, and a Tumi-Sized Hole
“U-Turn” Review: Gabriel Afolayan’s Directorial Debut Is a Road Movie Lacking in Attractions
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Music
“Life Is Better Now” Review: Nana Fofie Tells an Emotive Story With Her EP
In Memory of Imole: A 10-Track Mohbad Playlist You Should Listen To
“RU The World” Review: Ruger’s Sugary Debut Album Promises a Gratifying Experience But Nothing More
“Cheers to Life” Review: Majeeed Taps into His Core to Release a Celebratory EP
“Emotions” Review: Khaid’s Growth is Evident on Sophomore EP
“The More The Better” Review: Tekno Takes His Craft a Step Further on Sophomore LP
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Fashion
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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