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Afrocritik’s Music Spotlight: Big Emotions
“Caged Bird” Review: Tryve Explores Pursuit of Freedom on Lo-Fi Hip-Hop-Infused Single
Nigerian Bodybuilder Andrew Jacked Wins 2026 Arnold Classic Men’s Open Title
Features & Essays
Do Religious Contexts of “Submission and Obedience” Breed Problems Within Marriage?
The Unfair Politics of the Southeastern Nigerian Catholic Church
2022 Grammys: Who Will Win Best Global Music Album?
Babatunde Omidina “Baba Suwe”: A Great Entertainer Takes His Final Bow
Red Flags To Identify a Man That Might Break Your Heart
The P-Square Reunion: Is It Five Years Too Late?
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Interviews
Film & TV
“Soólè” Review: Kayode Kasum Might Need a Break for Artistic Introspection
“Brotherhood” Review: Jade Osiberu Delivers Quality Fun in Trope-Filled Action Flick
“Finding Hubby 2” by Femi Ogunsanwo Contains Bad Decisions, Regrets, Vengeance, and a Happily-Ever-After Ending
Kunle Afolayan’s Legacy Endures in Netflix Fantasy — Further Consideration of “Anikulapo”
“Anikulapo” Review: Kunle Afolayan’s Latest Masterpiece is an Hour Too Long for the Unsatisfactory Act it Delivers
“Aloe Vera” Review: Love Conquers All Hate in Peter Sedufia’s Fantasy awesome Drama
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Music
“Lifesize Teddy” Review: Mavin Records’ Newest Star Arrives With a Bang on Her Debut EP
“Solace” Review: Uncle Waffles Shows Off Her Brilliancy on Her Amapiano-Pivoted EP
“The African Serenades” Review: Echezonachukwu Nduka Sets the Pace For African Art Music
“THREEE” Review: KLY’s Album Reflects on Love, Lust, and Internal Conflicts
“Rush” Review: Hamzaa Explores Vulnerability in Her New EP
“Africa Unite” Review: Reggae Meets Afrobeats on Bob Marley’s Reimagined LP
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Fashion
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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