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Afrocritik

Features & Essays

Legend of the Ogbanje: Superhuman Abilities, Wanderlust between Life and Death
Married Nigerian Women Should be Allowed to Decide Their Surnames
10 Exercises You Can Do With No Workout Equipment
10 Perfect Songs For An Evening With Your Partner
Maverick City Worship: Beyond Music, Now a Revolution
Why does Nigerian Law Fail to Criminalise Marital Rape?

Interviews

Film & TV

“Nairobby” Review: Greed and Division Rule in Jennifer Gatero’s Tense but Monotonous Post-Heist Thriller
“Hey You!” Review: Uyoyou Adia’s 18+ RomCom Almost Ruined by Unresolved Subplots
“Lockdown” Review: Moses Inwang’s Pandemic Movie Feels Like a “93 Days” Wannabe
“Money Miss Road” Review: Swanky JKA and Josh2funny Bring the Comedy in Obi Emelonye’s Action Comedy
Bovi Ugboma’s “My Village People” Understates Spirituality and Witchcraft
“Justice Served” Review: A Broken System Is Put on Trial in Another Entertaining Netflix Hostage Drama

Music

“Love Letters” Review: Ka$hCPT Lays Emotions Bare through Effective Storytelling
“Music Has Failed Us” Review: Abu Ibrahim’s Debut Poetry Album Heralds a New Protest Chant
“Dues” Review: Sean Tizzle’s Work Is a Triumph of Talent and Growth
“Summer Breeze” Review: Tay Iwar Lays Skill and Consistency on Full Display
“Work of Art” Review: Is Asake’s Album Simply a Work in Progress?
Bloody Civilian Creatively Expresses Her Rage on “Anger Management” EP
Afrocritik Report - 2026 2025-01

VIDEOS

Welcome to our YouTube Channel

Books

Culture

Fashion

Grammy

2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet

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AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry