Afrocritik
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Features & Essays

The Bad Leadership of the African Union and the Cost of a New Africa
Abdulrazak Gurnah’s Nobel Prize Win and the Politics of Storytelling
Women and the Myth of Vagina Fragrance
Women, Outrageous Beauty Standards And A Multimillion Dollar Makeup Industry
Chimamanda Adichie At 44: Celebrating Nigeria’s Literary Rockstar
Is Art Criticism Dead In Nigeria?

Interviews

Film & TV

“Kedibone” Review: A Coming-of-Age Tale of a Flawed, Young South African Woman
“The Perfect Arrangement” Review: Inkblot Production’s Latest Release Lacks Artistic Direction
“Foreigner’s God” Review: A Good Story Ruined with Bad Accents and a Foreigner Nobody Needs
Movie Review: EbonyLife finds Redemption with “Blood Sisters”
With “Moremi: The Epic Battle,” Aroba Animation is Set to Preserve Yoruba History
“Savage Beauty” Review: A Dysfunctional Wealthy Family in a Tale of Revenge

Music

Rexxie Shines Brightly Alongside Featured Artists on the Enjoyable “Big Time” LP
Enkay Ogboruche’s “Declaration” Album Wields the Scepter of Praise
Lojay’s “GANGSTER ROMANTIC” EP is 2023 Project of the Year Material
DJ Tunez’ “The Amexin EP” is a Promising and Sleek Introduction to Amexin
“Mass Country” is AKA’s Sublime Parting Gift 
Kel-P Displays Potential and Promise on “Bully Season Vol.1” EP
Afrocritik Report - 2026 2025-01

VIDEOS

Welcome to our YouTube Channel

Books

Culture

Fashion

Grammy

2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet

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AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry