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Nigerian Bodybuilder Andrew Jacked Wins 2026 Arnold Classic Men’s Open Title
The Ethics of Knowledge and the Difficult Conversation Around Book Piracy in Africa
Royalties 101: How Music Actually Makes Money
Features & Essays
Has Filmmaking In Nollywood Gone To The Dogs?
Nollywood And The Need To Pay More Attention To Short Films
Nollywood Needs Its Low-Budget Movies. Here Is Why.
How To Use A Friday Night
The Evolution, Trajectory And Appreciation Of Rock Music In Nigeria
Show Dem Camp’s Clone Wars Series: A Decade Plus Of Consistent Rap Intervention
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Interviews
Film & TV
Juju Stories Review: Surreal 16’s Bold and Artistic Exploration of Nigerian Urban Legends
Gidi Blues Review: A Meet-Cute in Idumota
Vaillante Review: The Lives of a Child Bride and a Young Activist Intertwine in UNICEF’s Important Miniseries
Rancor Movie Review: An Unfit Piece for the Nigerian Cinema
For Maria Ebun Pataki Movie Review: A Remarkable Telling of a Rarely Told Story
Tanwa Savage Review: Screenplay Flops Serve as the Ruin on Geshin Salvador’s Tanwa Savage
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Music
Fridayy Tells an Impressive Story in “Lost in Melody”
Modenine Throws It Way Back Masterfully on “Popkorn!”
Runtown’s “$igns” Album is a Genre-Sliding, Beautiful Work of Art
Afrocritik Best 25 Music Albums of 2022
Strongman Pays Homage To His Root on “Buokrom Boy” EP
Nikita Kering’ Relives Endless Battles With Trauma on “The Other Side” EP
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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