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Royalties 101: How Music Actually Makes Money
Joburg Film Festival 2026 Wraps as Award Winners Are Announced
S16 Labs Welcomes Applications For Inaugural Edition
Features & Essays
WHY NIGERIANS THINK MR EAZI IS NO LONGER MUSICALLY RELEVANT - AND WHY THEY ARE VERY WRONG
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Interviews
Film & TV
Superstar: Nollywood Movie Review: An Enjoyable Celebrity Story With A Little Too Much To Say
Binti Movie Review: Tanzanian, Seko Shamte Tells the Story of Womanhood on Netflix
The Girl in the Yellow Jumper Movie Review: Ugandan Thriller Thrives on a Story of Improbabilities and Suspense
Chief Daddy 2 Review: Netflix’s Sequel Is a Bad Start to an Initially Promising Year
A Naija Christmas Review: Kunle Afolayan’s Delightful But Unsatisfactory Christmas Romp
Whose Funeral Is It? A Review of “How To Ruin Christmas” Season 2: “The Funeral”
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Music
Tim Godfrey’s 7th Album, “Chapter One,” is Blemished by Faulty Vocal Projection
“Black Panther: Wakanda Forever” Album is a Lengthy Project That Offers Closure
Hillzy Shows Sonic Range on “In the Building” Album
On “THE4MULA,” Blxckie Gets Lost in a Sea of Thematic Monotony
Wendy Shay Meanders on Mediocre “Enigma” EP
“The Kadosh” Album Seals Joe Mettle’s Rousing Prowess in Gospel Music
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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