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Joburg Film Festival

Features & Essays

Interviews

Film & TV

Izu Ojukwu’s “Amina” is an Underwhelming Portrayal Of The Legendary Queen Amina of Zazzau
Emem Isong’s “Special Jollof” Fails As a Romantic Drama
AMAA 2021 NOMINATIONS: A GUIDE TO THE NOMINATED FEATURE FILMS FROM NOLLYWOOD
Emotions, Depth, and a Stellar Cast Take Front Row in Daniel Ademinokan’s “Gone”
Hide ‘N’ Seek and its Decent but Inadequate Effort to be Different
“Shadow Parties” Jumps Too Many Steps in the Wrong Directions

Music

Blaqbonez Continues to Grow and Shine on “Young Preacher” Album
Young Jonn’s “Love Is Not Enough Vol. 2” is a Faulty Sonic Gamble
Iyanya’s “The 6th Wave” EP is a Return to Form for the Afrobeats Icon
Joe Praize-The assignment-music-gospel-afrocritik
Joe Praize’s “The Assignment” Album is Covered with the Cloak of Excellence
Moliy Captures a Sour Relationship on “Honey Doom”
Ayra Starr Offers Little to Nothing on “19 & Dangerous” Deluxe LP
Afrocritik Report - 2026 2025-01

VIDEOS

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Books

Culture

Fashion

Grammy

2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet

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AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Magic Viewers’ Choice Awards

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Fiction & Poetry