Afrocritik
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Features & Essays

Interviews

Film & TV

Blackstar Film Festival: Jonelle Twum Subtly Explores Race, Immigration And Capitalism In “A Mother’s Body”
Blackstar Film Festival: Akinola Davies Jr’s “Lizard” Is A Short But Compelling Watch
#Throwback Movie Review: Tope Oshin’s “In Line” Is A Slow-Burning Delight
Movie Review: “Rattlesnake: The Ahanna Story” Is Exciting And Exhausting All At Once
Movie Review: Kayode Kasum’s “Kambili: The Whole 30 Yards” Is More Eye Candy, Less Romance
#Throwback Movie Review: “Elevator Baby” Attempts To Mirror A Country’s Systemic Problems, But How Well Is It Done?

Music

KiDi Restates His Impressive Sonic Craftsmanship on “4Play” EP
Afrocritik-9ice-Tip of iceberg II-Afrobeats-music-africans-alapomeji
9ice Shows Traits of His Almost-Forgotten Brilliance on “Tip of the Iceberg II”
Ayüü Offers an Enjoyable Ride on “Toxic Sweet”
Neon Adejo’s Latest Inspiring Album, “Nothing But the Gospel,” Reveals What the Gospel Really Is
“Chico Amante” EP is a New Dimension To Idowest's Afrobeat Artistry
“Chico Amante” Afrobeat EP is a New Dimension To Idowest’s Artistry
Odunsi Returns to Tease with the Brief “Denim”
Afrocritik Report - 2026 2025-01

VIDEOS

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Books

Culture

Fashion

Grammy

2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet

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AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry