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Nigerian Bodybuilder Andrew Jacked Wins 2026 Arnold Classic Men’s Open Title
The Ethics of Knowledge and the Difficult Conversation Around Book Piracy in Africa
Royalties 101: How Music Actually Makes Money
Features & Essays
The Success of “Sinners” at the Nigerian Box Office: Five Lessons for Nollywood
Dhee Sylvester: The Designer Revolutionising Nigerian Book Covers
The Obscured Realities in Shegun Oseh’s Smokescreen Images
The Complex Relationship Between Football and Gambling
NYrobi BookFest 2025: Exploring the Shifting Currents of Kenyan Literature
Nollywood Needs NollyTube, But Does NollyTube Need Our Brains to Be Turned Off?
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Interviews
The Manifesto of M.anifest: New Roads, Same Genius
Kenyan-Nigerian Producer, Afamefuna Onyebadi, Talks Debut EP, Creativity, and Music Production
In Conversation: Moyosore Akinsete Talks “Love, Olaitan”, Growing Into Filmmaking, and the Fear of Loss
In Conversation: OluwaMillar Talks “Agbalagbi”, Creativity, and Breaking Barriers
In Conversation: Laurène Southe Speaks on Poetry, Creative Expression, and Diasporan Experience in Debut Chapbook
Tramaine Suubi Talks Debut Collection, the Craft of Poetry, and the Art of Literary Stewardship
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Film & TV
ADIFF 2025: Johan Nayar’s “The Banjo Boys” is a Soul-Stirring Portrait of Music, Faith, and Survival
“When Nigeria Happens” Review: Young Nigerians Dance Through Dysfunction in Ema Edosio’s Theatrical Contemporary Dance Drama
ADIFF 2025: In Conversation with the Filmmakers of South African Coming-of-Age Drama, “Carissa”
ENIFF 2025: Jessica J. Rowlands Puts Zimbabwean Cinema on the Map with “Rise”
ENIFF 2025: “V’s Secret”, “The Noise Around Her Black”, “Falling Out”, “Ụmụnne”, and “She’s Got Courage to Love” Reviews
Films and TV Shows to Watch Across Africa This Holiday
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Music
“Wonderful” Review: Tay Iwar Continues To Wow With New EP
“Catharsis” Review: Fola’s Debut Album Offers an Intimate Outpouring of Desire and Affection
“Kings Will Rise” Review: The Scorpion Kings Continue Stellar Run With New Album
Afrocritik Weekly Music Spotlight: Projects Galore
“This One Is Personal” Review: Tiwa Savage Deeply Explores R&B in Her Most Soul-Baring Album Yet
“After Midnight” Review: Gyakie Consolidates Her Familiar Style on Debut Album
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VIDEOS
Welcome to our YouTube Channel
Books
Michael Afenfia’s “Leave My Bones in Saskatoon” and the Burial of Prose Fiction
8 Literary Festivals Lighting Up Africa in the Second Half of 2025
“Years of Shame” Review: Obinna Udenwe’s Ambitious New Novel Nearly Crumbles Under the Weight of Editorial Issues
“When Love Visits” Review: Comfort Omovre’s Explores Love Through Conventional Romance Archetypes
Nairobi LitFest 2025: NBO Explores The Countercurrents of Knowing
“The Parlour Wife” Review: Foluso Agbaje’s Novel Is a Vital Contribution to Historical Fiction
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Culture
Top 8 Nightclubs in Lagos and Why You Should Visit Them
Cyberbullying: The Lasting Toll on Victims and How to Address It
The Touchstones of Kikelomo’s Maternity Photography
Macondo Literary Festival 2024: A Celebration of the History of the Indian Ocean Worlds
Nigeria Cinema Day and the Marketing Hurdles Holding Back Nollywood
Addressing a Widespread Crisis: Gender-Based Violence in Kenyan Sports and Beyond
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Fashion
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Sports
Can the Black Stars Defy the Odds and Qualify for AFCON 2025?
Oliver Mbekeka: Uganda’s First Female Manager in Men’s Premier League
Inside the 2024 Beach Soccer Africa Cup of Nations
All the Scoop on Samson Dauda, the 2024 Mr Olympia Winner
Strengthening the NPFL: Evaluating the Impact of Seasoned Players and Managers
Why African Top-Flight Football Clubs Struggle to Sell Directly to Europe’s Elite
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Explainers
Fiction & Poetry
Three Poems | By Saadatu Uzairu
Two Poems | By Muhammad M Ubandoma
Two Poems | By Tharseo Jovita
Soliloquy At The Portico | Poem by Marvellous Mmesomachi Igwe
Reawakening | Poem by Maryam Kekere-Ekun
Two Poems | By Excel Chinagorom Michael
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