African filmmakers are no longer waiting for permission or validation from foreign gatekeepers; they’re building…
Birdie positions itself within the terrain of historical reckoning, seeking to illuminate a fractured moment…
The question is not whether Nollywood can build a star system. It’s whether it wants…
“Peace in the Storm” stands as a commendable step in Min. Adeoluwa’s artistic journey. It…
Omolola Ijeoma Ogunyemi presents an array of women, each caught up in events seemingly bigger…
Clarissa reimagines Wolfe’s Mrs. Dalloway, a novel that follows a day in the life of…
South African filmmaking duo Jason Jacobs and Devon Delmar are the winners of the Tiger…
What happens with Afolayan’s quest in Aníkúlápó: The Ghoul Awakens is the pathetic compartmentalisation of…
Jonathan Kariara became foundational not by speaking the loudest, but by enabling others, mentoring, editing,…
“A system was put out over 100 years ago that is still in play. And…
Onyekachi Iloh’s “It Is Once Again the Season of Corn”, Yomi Folaranmi’s “Reverie on Milliken…
Over the years, the Grammys have been a launching pad for some of the most…