What ultimately holds Colour Me True back is not a lack of ideas, but a…
The late Meja Mwangi’s work insisted that literature espouses life. It cannot hold every detail,…
Nome is not just a historical film; it is a reckoning: one that insists African…
As the Souk continues to expand its influence within the global film ecosystem, this year’s…
The influence of holistic theatre on Christopher’s Ojirami: The Weeping River is a delight. Scenes…
Under the Rain is a sharp exploration of the Nigerian middle-aged male psyche, dissecting the…
This year’s festivities will run from December 6–31 across Ilubirin, Ikoyi, and Livespot Entertarium, Lekki.…
Man of Her Dreams marks a new creative chapter for Martha Ehinome, as she expands…
Fuji: A Opera opened with performances that paid tribute to Fuji’s ancestral roots. By Abioye…
The Heart is a Muscle is a film made with care—perhaps too much care in…
Three African features from Nigeria, Kenya, and South Africa will screen across competitive and non-competitive…
Cotton Queen insists on female joy, centring the complexities of female relationships across generations, celebrating…