Emmanuel Waziri Okoro

GE3
“GE3 (The Beginning)” Review: A-Q Closes His Trilogy With Precision and Purpose

With GE3, A‑Q does more than complete a trilogy; he cements a legacy. This final…

Akinyemi Ayinoluwa
Billboard-Honoured Lawyer, Akinyemi Ayinoluwa, Talks Music Law, African Excellence, and Creative Rights

“I came into the Nigerian music industry at a time when people did not appreciate…

CKay The Second
“CKay The Second” Review: CKay Explores Intimacy and Vulnerability on Polished EP

CKay The Second is not just a reanimation of past sounds, but a confident offering…

Starters
“Starters” Review: Ice Prince and Chopstix’s Joint EP Leans On Legacy With Mixed Results

Starters feels more like a placeholder; it reminds listeners of Ice Prince’s talent, but leaves…

Uncle K: Lemon Chase
“Uncle K: Lemon Chase” Review: Kizz Daniel’s EP Is Refreshingly Potent

Uncle K: Lemon Chase is a short but striking reminder of Kizz Daniel’s versatility and…

Tolani
Tolani Is Creating Music on Her Own Terms

“I find that authenticity is something that perfectionism robs you of”. – Tolani By Emmanuel…

Journey Through Life
“Journey Through Life” Review: Femi Kuti’s Album Confronts Nigeria’s Political Realities

Journey Through Life demands to be heard, understood, and, perhaps more importantly, acted upon. By…

The Machine Is Coming
“The Machine Is Coming” Review: Odumodublvck’s New Project Is a Statement and a Warning

The Machine Is Coming is quite a satisfactory output from a rapper who has set…

M.anifest
The Manifesto of M.anifest: New Roads, Same Genius

“My new album is like a new advancement of art. If Madina to the Universe…

Africa music landscape
Top Predictions for Africa’s Music Landscape in 2025

In uncovering what 2025 might hold for the African music landscape, we explored the trends…