Emmanuel Waziri Okoro

No Excuses
“No Excuses” Review: Blaqbonez Reaffirms His Status With Swagger, Skill, and Clarity

No Excuses stakes a claim: the Nigerian rap scene should take Blaqbonez as seriously as…

Industry Machine
“Industry Machine” Review: Odumodublvck’s Album Is Loud, Bold, and Loosely Bolted Together

As a rap album, Industry Machine invites scrutiny of its lyricism. Odumodublvck’s chest-thumping is a…

No Sign of Weakness
“No Sign of Weakness” Review: Burna Boy’s LP Is Technical, Polished, Yet Safely Played

Burna Boy will always exude creativity, but on No Sign of Weakness, the boundaries he…

GE3
“GE3 (The Beginning)” Review: A-Q Closes His Trilogy With Precision and Purpose

With GE3, A‑Q does more than complete a trilogy; he cements a legacy. This final…

Amelia Songs
Billboard-Honoured Lawyer, Akinyemi Ayinoluwa, Talks Music Law, African Excellence, and Creative Rights

“I came into the Nigerian music industry at a time when people did not appreciate…

CKay The Second
“CKay The Second” Review: CKay Explores Intimacy and Vulnerability on Polished EP

CKay The Second is not just a reanimation of past sounds, but a confident offering…

Starters
“Starters” Review: Ice Prince and Chopstix’s Joint EP Leans On Legacy With Mixed Results

Starters feels more like a placeholder; it reminds listeners of Ice Prince’s talent, but leaves…

Uncle K: Lemon Chase
“Uncle K: Lemon Chase” Review: Kizz Daniel’s EP Is Refreshingly Potent

Uncle K: Lemon Chase is a short but striking reminder of Kizz Daniel’s versatility and…

Tolani
Tolani Is Creating Music on Her Own Terms

“I find that authenticity is something that perfectionism robs you of”. – Tolani By Emmanuel…

Journey Through Life
“Journey Through Life” Review: Femi Kuti’s Album Confronts Nigeria’s Political Realities

Journey Through Life demands to be heard, understood, and, perhaps more importantly, acted upon. By…