Frank Njugi
On Love/Hate Pt 2, Xenia Manasseh blends themes of love and self, allowing the two…
“My sonic identity is not predefined; rather, it evolves as I grow as a musician…
Bongo Flava has not only established itself as a genre reflecting the life experiences of…
In Kibogo, Scholastique Mukasonga’s brand of satire is prominently displayed. She critiques the social belief…
A-Q’s Purple Doesn’t Exist marks his transition from being a proficient emcee to a major…
In the face of the hype created around singles in the internet age, good album…
Mood 4 Life exemplifies intricate music-making that prioritises hybridisation over a traditional approach to music.…
Beyond Linah Sande’s brilliant portrayal of Mvera, the rest of the supporting and antagonist characters…
Young Lunya’s greatness lies in his oration of experiences, and Mbuzi serves as a reiteration…
À nu sees Karun use her dazzling voice as a tool, experimenting with different sounds…
