Frank Njugi

“No Overthinking” Review: Savara’s New Album is a Well-Crafted Collection
“No Overthinking” Review: Savara’s New Album is a Well-Crafted Collection

No Overthinking is a well-crafted collection of songs whose distinctive and entertaining soundscapes and lyrics…

“Mombasa’s Lover Boy” Review: Caleb Awiti Delivers Another Slow Jam LP

Awiti’s Neo-Soul positively conforms to contemporary attitudes and sensibilities, but the songs in Mombasa’s Lover…

Bowman Arenwaki | Public Notice| In Conversation with Afrocritik
In Conversation: Bowman Aremwaki, the Ugandan Artiste with a Universal Musical Language

“Music in itself, is a language — a universal one. Music has taught me other…

“In Poetry I Found My Voice, and in Poetry I Keep It Loud”: Dorphanage, Kenyan Spoken Word Artist, In Conversation

“There are conversations we must learn to have and issues we must address as a…

“Mtindo” Review: Boutross Delivers A Collaborations Galore in His New Album

Through collaboration, Boutross might just have saved the project from the monotony his subject matter…

“Love Language” Review: Fancy Fingers’ Album is an Ode to Africa’s Female Vocalists

Each song features a phenomenally voiced female artiste, one acclaimed by numerous musical intelligentsias, with…

“Rhymebook Ya Nutcase” Review: King Kaka Takes a Trip Down Nostalgia Lane

Across genres and styles, King Kaka maintains a consistent sound, making necessary adjustments to match…

“Inkabi” Review: Michelle Tiren’s Performance is the Only Spark in Norman Maake’s Crime Thriller

Inkabi is a less-than-stellar film only made bearable by the talent of its lead actress.…

“Public Notice” Review: Bowman Aremwaki Proves His Capability as a Solo Artiste

Public Notice is an artiste’s undertaking to prove his dexterity as a musician able to…

Otile Brown - Grace - review - Afrocritik
“Grace” Review: Otile Brown’s Undertaking is Still to Delight the Romantics

Otile Brown’s music is still the de facto go-to for romantics and Grace reiterates this.…