Frank Njugi

“Rhymebook Ya Nutcase” Review: King Kaka Takes a Trip Down Nostalgia Lane

Across genres and styles, King Kaka maintains a consistent sound, making necessary adjustments to match…

“Inkabi” Review: Michelle Tiren’s Performance is the Only Spark in Norman Maake’s Crime Thriller

Inkabi is a less-than-stellar film only made bearable by the talent of its lead actress.…

“Public Notice” Review: Bowman Aremwaki Proves His Capability as a Solo Artiste

Public Notice is an artiste’s undertaking to prove his dexterity as a musician able to…

Otile Brown - Grace - review - Afrocritik
“Grace” Review: Otile Brown’s Undertaking is Still to Delight the Romantics

Otile Brown’s music is still the de facto go-to for romantics and Grace reiterates this.…

Daydreamers - Bufis - Netflix - review - Afrocritik
“Daydreamers” Review: Vincenzo Cavallo’s Film Explores the Dreams and Aspirations of Eastleigh’s Somali Immigrants

But for all its flaws, Daydreamers is a film made on the premise that the…

BK Arena - Rwanda - Afrocritik
Will Rwanda Become the New Hub for Arts and Entertainment in East Africa?

In recent times, one of the Rwandan government’s main undertakings has been on the tourism…

Drill - East Africa - Music and Culture - Afrocritik
The Continuing Rise and Influence of East African Drill Music and Culture

In East Africa, Drill Rap has established itself as a dominant strain of the region’s…

Frida Armani
“This Is Me (Live)” Review: Frida Amani Presents a Resounding Bongo Rap EP

This Is Me (Live) is a testament to Frida Amani’s understanding of live performances, and…

arbantone - Afrocritik
The Rise of Arbantone: A New Stable Among Kenyan Music Genres?

Arbantone songs are mainly characterised by beats sampled from Kenyan Old School hits … and easy…

We Cut Keys 2 - Blinky Bill - Afrocritik
“We Cut Keys 2” Review: Blinky Bill Returns With a Sonorous And Genre-Bending New Album

A 16-track album, We Cut Keys 2 is sonically alluring, with songs whose beats are…