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Three Poems | By Salama Wainaina

Three Poems | By Salama Wainaina

Roses of Sharon 

Instead of dwelling 

On the thirst of wanting

Till my tongue becomes a dry cloth

Roughened with the stomp of nostalgic mumblings,

 

I choose to crawl to the spring 

Of the bubbling phantoms

That hearkens to me;

I opt to smell the Roses of Sharon 

That sway in the fields of reminiscence

As they release the winded sighs

Of my soft yearning

 

I will not pluck a petal,

From these flowers,

Nor collect pollen in the hem of my dress;

It is greedy to trap a transient flash;

& rob it of the charm of its brevity,

“Thou shall not covet”;

& I will not confine a god to a moment.

 

I will sanctify this remembrance 

A hallowed chalice,

That tames the waves of a throbbing heart;

I will pronounce this tide of reverence 

A consecrated cup that 

Nourishes the quietude 

Hiding in the delicate traces 

Of my museum of echoes

 

The sway of the flowers

& the gentle current of the spring’s water

Will be the priestesses who guide my devotion

& the sacrament that redeems

The gluttony in my ache

A Ritual’s Liturgy

In this poem, 

I will place clay in your hands, 

On the eighth day,

There will be silence,

There will be light,

& there will be a creation, 

& a reverent invocation will rise, 

To echo the first hymn of the morning.

 

In this poem; 

I ask for a name,

I ask for a prayer,

I ask for the light that manifests,

When a confession buried 

Beneath a tongue escapes, 

& makes a home in the morning dew.

 

In this poem,

There is a ritual,

Masquerading as a rhyme;

In this poem,

There is a wish that unfolds,

To vindicate the dust of wistful longing,

That pools beneath its elusive wings.

 

In this poem,

I will stitch my guilt,

Into the frayed threads of my fabric,

& immerse it in a stirring perfume,

Adorning it for the hands 

That will wrest it from me,

& I will mourn the violence of its loss,

But not the fragmented emptiness of its absence.

 

In this poem,

I will show you,

See Also
Onipanu

How to roll your tongue,

To embrace the fluctuations

That cloak the euphony of your vowels;

I will show you, 

How to tame the turbulent waters,

That slip into the forgotten syllables of your enunciation;

I will show you,

How hunger thickens in the chasm of muted fervour

& how to unearth the fitting words,

To immortalise your conclusion.

The Breath of Vanishing Memories

A lingering missingness,

Collects itself in the corners of her eyes;

A persistent farness,

Unravels, etching itself, 

Into the sunken hollows on her face;

 

Perhaps, there should be a word

Crafted to capture,

The exile memory imposes 

On its offerings of a mildewy epoch, 

Whenever a body ages, and its skin sags;

 

Perhaps there should be a name 

Woven in the dying exhale of the day,

Suspended in the veil of 

The softened glow of a setting sun,

Or sitting at the tip of the night’s unfolding silhouette;

 

So that when the woman’s loss, 

Becomes a tangible and breathing thing,

She can summon its phonetic genealogy,

And command it to loosen its grip,

On the throat of her memories.

Salama Wainaina is a Kenyan writer whose work has appeared in The Kalahari Review, Brittle Paper, The Shallow Tales Review and The Journal of African Youth Literature (JAY Lit) where she was a co-winner of the Inaugural JAY Lit Prize for Poetry 2024. She writes at https://artofsal.wordpress.com/ and tweets at @apoetsepitaph

Cover photo credit: Saul Bandera Brotheridge

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