The Editor

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Colour Me True
“Colour Me True” Review: Toluwani Obayan Osibe’s Debut Reaches for Truth but Settles for Surface

What ultimately holds Colour Me True back is not a lack of ideas, but a…

Meja Mwangi
The Life and Works of Meja Mwangi, Kenya’s Great Chronicler

The late Meja Mwangi’s work insisted that literature espouses life. It cannot hold every detail,…

Nome
ADIFF 2025: Sana Na N’Hada Examines the Cost of Freedom and the Weight of Memory in “Nome”

Nome is not just a historical film; it is a reckoning: one that insists African…

Red Sea Souk
African Projects Dominate at 2025 Red Sea Souk Awards + Full List of Winners

As the Souk continues to expand its influence within the global film ecosystem, this year’s…

Ojirami
“Ojirami: The Weeping River” Review: Immigration, Myth, and Tragedy Swirl in a Play About the Potency of a Deity

The influence of holistic theatre on Christopher’s Ojirami: The Weeping River is a delight. Scenes…

Under the Rain
“Under the Rain” Review: Ayo Deforge Writes About Profound Loss, Duty, and Compromises

Under the Rain is a sharp exploration of the Nigerian middle-aged male psyche, dissecting the…

Detty December Fest
Gunna, Busta Rhymes, Juma Jux, and Bella Shmurda Announced as First Headliners for Detty December Fest 2025

This year’s festivities will run from December 6–31 across Ilubirin, Ikoyi, and Livespot Entertarium, Lekki.…

Man of Her Dreams
Martha Ehinome’s Executive-Produced “Man of Her Dreams” Wraps Production

Man of Her Dreams marks a new creative chapter for Martha Ehinome, as she expands…

Fuji: A Opera
“Fuji: A Opera” Delivers Its Most Expansive Edition Yet With Fuji Vibrations 2025

Fuji: A Opera opened with performances that paid tribute to Fuji’s ancestral roots. By Abioye…

The Heart is a Muscle
“The Heart is a Muscle” Review: Imran Hamdulay’s Debut Feature Traces the Wounds We Inherit and the Ones We Try to Heal

The Heart is a Muscle is a film made with care—perhaps too much care in…