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EWA
Entertainment Week Africa Opens Applications for 2025 Deal Room With ₦25M Funding

For the 2025 Deal Room, EWA is inviting independent producers and directors with projects in…

The Annual Film Mischief
The Annual Film Mischief (TAFM) 2025: Documentary Reviews

Among the screened films were five documentaries—The Grief, Fofo Means Father, Beyond Olympic Glory, Critical…

memories
In Absence, You Find Presence: What “My Father’s Shadow” Taught Me About Remembering

Remembering isn’t just about freezing time, it’s about letting memory evolve, the way grief turns…

university
Prestige vs Payoff: Do University Rankings Still Matter in Nigeria?

In Nigeria today, rankings hold symbolic power, but their practical relevance is weakening under pressure…

Vincho Nchogu
BFI London Film Festival 2025: In Conversation With Vincho Nchogu and Josh Olaoluwa, Director and Producer of “One Woman One Bra”

“African history, science, and artistry did not begin with the arrival of the colonialists; therefore,…

The Edge of Water
“The Edge of Water” Review: Grace Olufunke Bankole’s Debut Novel Searches For Meaning In Matrilineal Ties And Liminal Spaces

The Edge of Water asks what it means for women to be bound by blood…

One Woman One Bra
Kenyan-Nigerian Film, “One Woman One Bra”, Wins Sutherland Award for Best First Feature at BFI London Film Festival

With its blend of humour, emotional honesty, and striking visuals, One Woman One Bra continues…

Mine Too Counts
“Mine Too Counts” Review: Agbeye Oburumu Gives Voice to the Pains of the Nigerian Masses

What Agbeye Oburumu offers in Mine Too Counts is a chorus that runs through the…

power
Why Nigeria Still Can’t Find Its Balance of Power

It is quite ironic that a lot of Nigerians complain and languish under the current…

World Cup
Africa’s 2026 World Cup Qualifiers Explained: Standings, Withdrawals, and the Playoff Route

Côte d’Ivoire, Morocco, Tunisia, Egypt, Algeria, Ghana, Cape Verde, South Africa, and Senegal have all…