The Editor

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Kyalami
Kyalami’s Renaissance: Paving the Way for F1’s Return to Africa

Hosting an F1 Grand Prix could inject hundreds of millions into the economy via tourism,…

app
10 Must-Have Apps for University Students in Africa

Using any or all of these apps increases your chances of meeting assignment deadlines, efficiently…

Inside Job
“Inside Job” Review: Jacky Vike and Mammito Eunice Find Kenya’s Laugh Lines and Its Pain Points

The ability to toggle between levity and gravity lends Inside Job a rare authenticity: a…

Next Gen
“Next Gen” Review: Oskido Platforms Fresh Talents on New Album

Musically, Next Gen is a solid and enjoyable Amapiano album. Contextually, Oskido is a master…

Still The Mayor
“Still The Mayor” Review: Mayorkun’s Third Album Is a Reaffirmation of His Pop Status

Still The Mayor is, at its core, Mayorkun reminding us why he earned the title…

Taene
Nigerian Afro-Fusion Artiste, Taene, Set to Release New Single, “NUH”

Rooted in themes of self-awareness, boldness, and feminine power, “NUH” blends Afrobeats, R&B, Soul, and…

Blinky Bill
Blinky Bill: East Africa’s Quiet Radical

“I wouldn’t necessarily say I’m an Alternative musician, rather a musician with an Alternative eye.…

Geoblocking
How Geoblocking and Cinema Scheduling Bias Undermine Distribution in Nollywood

It becomes clear that while geoblocking is a significant barrier to Nollywood’s global reach, cinema…

Little Rot
“Little Rot” Review: Akwaeke Emezi’s Novel Confronts The Performance of Morality

Little Rot is an investigation into how society imposes rigid ideas of right and wrong,…

My Mother Is a Witch
“My Mother Is a Witch” Review: Niyi Akinmolayan Explores Intergenerational Trauma in Provocative Drama

My Mother Is a Witch is one of Niyi Akinmolayan’s most decent endeavours, with strong…