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4 Da Streets
“4 Da Streets!” Review: Uncle Waffles and Royal MusiQ Connect With Amapiano’s Roots on New Collaborative Project

4 Da Streets! highlights the curatorial strengths of Uncle Waffles and Royal MusiQ, who successfully…

My Father’s Shadow
“My Father’s Shadow” Returns to Nigerian Cinemas This June, Following Major AMVCA Wins

The decision to return My Father’s Shadow to cinemas just days before Democracy Day adds another…

African Filmmaking
African Filmmaking at the Crossroads of Oscars Reform and AI Ethics

For African cinema, the pathway expansion is a blessing in disguise at first glance. It…

Durban FilmMart Institute
Durban FilmMart Unveils 36 African Film Projects For 17th Edition

Durban FilmMart Institute serves as a film business hub with focus  on promoting, supporting and…

StudioCanal
StudioCanal Partners With Sun Africa Group For South African Theatrical Distribution

This burgeoning relationship between StudioCanal and SAG is the latest stride in Canal+’s penetration of…

Tarifa-Tangier African Film Festival
Tarifa-Tangier African Film Festival 2026 Opens Across Morocco and Spain With Expanded African Cinema Showcase

FCAT 2026 will run from Friday, May 22 to Saturday, May 30, 2026, across Tarifa,…

BET Awards
Wizkid, Asake, Burna Boy, Tems, Tyla Nominated for 2026 BET Awards

The 2026 BET Awards will air live on Sunday, June 28, from Los Angeles and…

EndSars
The Comment Section Republic: Where Does the Nigerian Anger Go?

Expression and accountability are not the same thing, and the architecture of every major social…

DJ
Who Are the DJs Really Soundtracking the Everyday Lives of Nigerians?

Streaming culture becomes the dominant lens for understanding music success, but it captures visibility after…

Call of My Life
“Call of My Life” Review: Dammy Twitch’s Feature Debut Is a Cute Romcom for the Lover Girls

Call of My Life is genuinely romantic, truly comedic, and settles into familiar tropes without…