Film and TV

The Moral High Court
“The Moral High Court” Review: Chisom Ifeakandu’s Film Puts Patriarchy on Trial

What The Moral High Court does offer is sincerity: a brutal honesty about how Nigerian…

cinematographer-director
20 Prolific Cinematographer-Director Collaborations in Nollywood

As far as Nollywood is concerned, there’s a growing number of directors who have consistently…

Inside Job
“Inside Job” Review: Jacky Vike and Mammito Eunice Find Kenya’s Laugh Lines and Its Pain Points

The ability to toggle between levity and gravity lends Inside Job a rare authenticity: a…

Geoblocking
How Geoblocking and Cinema Scheduling Bias Undermine Distribution in Nollywood

It becomes clear that while geoblocking is a significant barrier to Nollywood’s global reach, cinema…

My Mother Is a Witch
“My Mother Is a Witch” Review: Niyi Akinmolayan Explores Intergenerational Trauma in Provocative Drama

My Mother Is a Witch is one of Niyi Akinmolayan’s most decent endeavours, with strong…

Red Circle
“Red Circle” Review: Akay Mason’s Energetic Thriller Delivers on Its Ambitions

Everything in Red Circle is intentionally designed to trigger a reaction. And even where the…

Red Circle
“Fortune Favours the Bold”: In Conversation With the Cast and Crew of “Red Circle”

“I approached Red Circle as ‘What would I want to see in another person’s film?…

The Party
“The Party” Review: Where’s the Sleuthing or Mystery in This Nollywood Whodunit?

The Party does not have the sleuthing, the intrigue, or the eccentricity that makes murder…

MTV Shuga Mashariki
“MTV Shuga Mashariki” Review: The New Shuga Iteration Has A Shiny Surface With A Hollow Core

MTV Shuga Mashariki risks reducing a once-revered production to a shadow of its former self,…

Ife Olujuyigbe
In Conversation: Ife Olujuyigbe Talks Storytelling, the Realities of Producing, and Navigating Nollywood

“I am a storyteller. That is the core of everything I do. I want to…