Take away the spectacle of suffering from Njem or The Boy Who Gave, and frankly,…
Double or Nothing feels tonally inconsistent, unsure whether to lean into satire, tragedy, or domestic…
“When you or a group of people are dislocated from your homeland, there’s this inherent…
Adunni: Ogidan Binrin is a reminder that even the most righteous revolutions can falter when…
To Adaego with Love sets a love story against the pain and horror of the…
Lights Out is not a perfect film; uneven, overly ambitious, and occasionally meandering, but it…
The Herd is a debut that demands attention: not merely for its suspense, but for…
Should filmmakers be bound by the constraints of censorship, or should they be free to…
What unfolds in Pasa Faho is a delicate story about a father struggling to hold…
Nollywood has gone way past decent action scenes. Plot and character development are major areas…