Film and TV

Muganga
“Muganga, Celui Qui Soigne” Review: Marie-Hélène Roux’s Film Explores the Radical Practice of Care

Muganga, Celui Qui Soigne advances a proposition that compassion practised daily, even without applause, remains…

Afrocritik’s 30 Remarkable African Feature Films of 2025
Afrocritik’s 30 Remarkable African Feature Films of 2025

This year, African filmmakers tested the boundaries of filmmaking, deepened the aesthetic and thematic language…

Mothers of Chibok
“Mothers of Chibok” Review: Joel ‘Kachi Benson Explores The Long Wait After Chibok

Mothers of Chibok is a revelation that filmmakers at their best might not fix history,…

TSWA Film Festival 2025
TSWA Film Festival 2025: “Girl-Boy”, “Say Something”, “Ziwa”, “Entre Nós e o Silêncio”, “Bureau De Change”, and “Fading Candle” Reviews

Across Nigeria, Uganda, Mozambique, Zimbabwe, and Morocco, these films traced lives lived at the margins…

The Ants
ADIFF 2025: Yassine Fennane’s “The Ants” Undertakes a Study in Dignity and Survival Across Class

In The Ants, Yassine Fennane interweaves the stories of three vulnerable people across social classes…

Casablanca - Dakar
TSWA Film Festival 2025: Freedom of Movement and the Cost of Survival in “Casablanca – Dakar” and “Seed Is Life”

Casablanca – Dakar asks what happens when borders close suddenly; Seed is Life reminds us…

Nana Adwoa Frimpong
ADIFF 2025: In Conversation With Nana Adwoa Frimpong, Producer of “The Eyes of Ghana”

“We see ourselves as participants in a rich and evolving history set on continuing to…

S16 Film Festival
S16 Film Festival 2025: “About Sarah”, “My Jebba Story”, “Obi Is a Boy”, “Back to the Theatre Vox”, “Òdè!” + Other Short Film Reviews

Traces of the Sun; About Sarah; Keys; My Jebba Story; Obi Is a Boy; Second…

Colour Me True
“Colour Me True” Review: Toluwani Obayan Osibe’s Debut Reaches for Truth but Settles for Surface

What ultimately holds Colour Me True back is not a lack of ideas, but a…

Nome
ADIFF 2025: Sana Na N’Hada Examines the Cost of Freedom and the Weight of Memory in “Nome”

Nome is not just a historical film; it is a reckoning: one that insists African…