Whether contemplating migration, gender identity, or an unconventional romance, What Do the Maknines Dream Of,…
Nollywood filmmakers have proven their capacity for innovation under constraint, time and again, but there…
“I think cinema has a responsibility to look for the human being behind the law,…
African cinema can be regional, sure, just like any other cinema. But it is also…
Perhaps The Almajiri’s greatest achievement is that it refuses simplistic answers to deeply complicated questions.…
Nollywood is mostly at its best when it deploys humour to laugh at retrograde values…
Agesinkole: King of Thieves 2 is an unusual sequel. It succeeds more as an act…
Independent cinema tells us about the conditions under which a film was made. Arthouse cinema…
The truest adaptation is not the most faithful one but the most alive one. Remi…
The Nigerian usage of arthouse is less an error than an adaptation. It is a…