Film and TV

Meet the Khumalos
“Meet the Khumalos” Review: Will South African Cinema Ever Move Beyond Forbidden Love Tropes?

Meet the Khumalos is not to be taken seriously, as the film hardly ever takes…

Radio Voice
“Radio Voice” Review: Strong Performances and a Human Story Ground Isioma Osaje’s Warm Drama

What Radio Voice lacks in plot direction, it makes up for in heart, at least…

Family Brouhaha
“Family Brouhaha” Review: Femi Adebayo’s Solo Debut Is a Dysfunctional Film About a Dysfunctional Family

In Family Brouhaha, what we have is a group of people who are fundamentally badly-behaved…

A Lagos Love Story
“A Lagos Love Story” Review: Where’s the Love in This Inkblot’s Romance Drama?

Regrettably, A Lagos Love Story fails to tell a convincing love story or even spark…

Recall
“Recall” Review: Kunle Afolayan’s Return to the Big Screens Is Largely Forgettable

As it lacks any defining moments, Recall is a film that will be difficult to…

NollyTube
Nollywood Needs NollyTube, But Does NollyTube Need Our Brains to Be Turned Off?

Nollywood needs NollyTube, regardless of the merits and demerits, or the sustainability of YouTube as…

Labake Olododo: The Warrior Lord
“Labake Olododo” Review: Biodun Stephen’s Yoruba Epic Is a Gender-Flipped Samson-And-Delilah Narrative Starring Iyabo Ojo

In a time when the indigenous epic genre has begun to feel repetitive and forgettable,…

AMVCA
The Biggest Snubs and Surprises of the 2025 AMVCA Nominations

With the awards set to take place on May 10th, the debate over what the…

Finding Me
“Finding Me” Review: Funke Akindele’s Mistitled Dramedy Struggles With an Identity Crisis

Finding Me does not know what it wants to be. Its tone is chaotic, the…

Suky
“Suky” Review: Ola Cardoso’s Prison-Set, Revenge-Themed Sports Drama Is Tepid

As a prison film, Suky is unmoving; as a sports film, it is uninspiring; and…