Film and TV

AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day

Every individual at the AMVCA Cultural Day stunned in their traditional attire, turning the event…

Owambe Thieves
“Owambe Thieves” Review: Zubby Michael Is the Only Upside to This Pandemonium of a Movie

There’s a diversity angle to the film that might work if it were much less…

Sinners
The Success of “Sinners” at the Nigerian Box Office: Five Lessons for Nollywood

The success of Sinners can serve as an opportunity to think and take lessons from…

The Masked King
“The Masked King” Review: Uduak-Obong Patrick’s Historical Drama Is Dampened by Its Wobbly Political Consciousness

The Masked King wants to portray a push and pull between traditions and societal change,…

Landline
“Landline” Review: Dele Doherty’s Debut Feature Is Held Back by Its Own Ambition

Landline is an emotionally-charged thriller that takes a bold swing at the time-loop genre, even…

Meet the Khumalos
“Meet the Khumalos” Review: Will South African Cinema Ever Move Beyond Forbidden Love Tropes?

Meet the Khumalos is not to be taken seriously, as the film hardly ever takes…

Radio Voice
“Radio Voice” Review: Strong Performances and a Human Story Ground Isioma Osaje’s Warm Drama

What Radio Voice lacks in plot direction, it makes up for in heart, at least…

Family Brouhaha
“Family Brouhaha” Review: Femi Adebayo’s Solo Debut Is a Dysfunctional Film About a Dysfunctional Family

In Family Brouhaha, what we have is a group of people who are fundamentally badly-behaved…

A Lagos Love Story
“A Lagos Love Story” Review: Where’s the Love in This Inkblot’s Romance Drama?

Regrettably, A Lagos Love Story fails to tell a convincing love story or even spark…

Recall
“Recall” Review: Kunle Afolayan’s Return to the Big Screens Is Largely Forgettable

As it lacks any defining moments, Recall is a film that will be difficult to…