Film and TV
Dao is the kind of film that announces its ambitions in every frame and then,…
If this is what a second edition looks like under pressure to match its predecessor,…
Alechenu does well in its pursuit of social relevance, but the narrative is dampened by…
Whether contemplating migration, gender identity, or an unconventional romance, What Do the Maknines Dream Of,…
Nollywood filmmakers have proven their capacity for innovation under constraint, time and again, but there…
“I think cinema has a responsibility to look for the human being behind the law,…
African cinema can be regional, sure, just like any other cinema. But it is also…
Perhaps The Almajiri’s greatest achievement is that it refuses simplistic answers to deeply complicated questions.…
Nollywood is mostly at its best when it deploys humour to laugh at retrograde values…
Agesinkole: King of Thieves 2 is an unusual sequel. It succeeds more as an act…
