Music

Gen Z
“Gen Z” Review: Zinoleesky Treads Familiar Ground on New Album

Gen Z lands less like an ambitious sophomore leap and more like a holding pattern—Zinoleesky…

Livestream
The Rise of Live-streaming in Nigerian Music Marketing

As audiences increasingly crave more intimate engagement, live streaming platforms—particularly Twitch—could become central to how…

4Mr Frank White
In Conversation: 4Mr Frank White Talks Sound, Identity, and Evolution of East African Afro-Swing Rap

“I’ve moved from the underground scene to a more commercial and global space, without ever…

Spotlight
Afrocritik’s Weekly Music Spotlight: South Africa, Soul & Sundry

Afrocritik’s Weekly Music Spotlight: South Africa, Soul & Sundry By Yinoluwa Olowofoyeku Happy new month,…

Headies
Back to Base, But Not Without Baggage: The Highs and Lows of the 17th Headies Awards

If this is truly Back to Base, then maybe the 18th edition of the Headies…

Spotlight
Afrocritik’s Weekly Music Spotlight: New Names

Afrocritik’s Weekly Music Spotlight: New Names By Yinoluwa Olowofoyeku Greetings once again, my fellow brave…

5ive
“5ive” Review: Davido Refines His Magic on Fifth Album

5ive is very limited in terms of variation, featuring diverse genres and styles, but presenting…

Barrystar Vol 1
“Barrystar Vol 1” Review: Barry Jhay Pays Homage to Barrister With a Soul-Stirring Debut Album

Many artistes may tap into his father’s music for inspiration, but Barry Jhay’s Barrystar Vol…

Spotlight
Afrocritik’s Weekly Music Spotlight: Refreshment

Afrocritik’s Weekly Music Spotlight: Refreshment By Yinoluwa Olowofoyeku Salutations, my fellow brave music adventurers. I…

Reflection Station
“Reflection Station” Review: Tay Iwar Is Mastering His Craft on New EP

Reflection Station is undeniably a poignant work of art from a seasoned veteran. The product…