Music

Oasis
“Oasis” Review: Brenique Offers a Soulful, Faith-Rooted Offering on Debut EP

Oasis is an impressive and complete work, a heartfelt collection of soulful Gospel music that…

When Lagos Sleeps
“When Lagos Sleeps” Review: Spinall Showcases Curatorial Range on New EP

When Lagos Sleeps ultimately stands as a project filled with possibility and layered meaning. It…

Black Box
The Black Box in Music Royalties: Why African Artistes Are Missing Out on Their Money

At an industry level, addressing the black box requires improvements in data systems, stronger international…

Free (Deluxe)
“Free (Deluxe)” Review: Nasty C Searches for Himself on Ambitious but Uneven Album

At its best, Free (Deluxe) finds Nasty C operating at a level of emotional candour…

Agaba Romantic
“Agaba Romantic” Review: Wizard Chan and Joeboy Deliver a Cohesive, Emotionally Resonant Joint EP

Each track on Agaba Romantic demonstrates their ability to navigate different moods without ever losing…

I Am Bigger
“I Am Bigger” Review: DarkoVibes Misses The Mark with New Album

I Am Bigger comes across as an underwhelming release, particularly when measured against the expectations…

Never Thought I Could (Part 1)
“Never Thought I Could (Part 1)” Review: Lloyiso’s Artistry Uplifts on Debut Album

Never Thought I Could (Part 1) sees Lloyiso evolving from a remarkable singer into a…

spotlight
Afrocritik’s Music Spotlight: Big Emotions

Afrocritik’s Music Spotlight: Big Emotions By Yinoluwa Olowofoyeku Greetings to all the fearless navigators of…

royalties
Royalties 101: How Music Actually Makes Money

For a new generation of musicians navigating a global industry, understanding royalties is therefore not…

Love Stray
“Love Stray” Review: Brilliant Braye Strikes Again With Expressive New EP

With Love Stray, Braye continues to position himself as one of the more compelling storytellers…