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Afrocritik Announces Key Editorial Promotions
In Conversation: oSHAMO Talks Fuji, Self-Discovery, and What’s Next
How Visa Denials Are Costing African Film Professionals More Than Just a Trip
Features & Essays
Chidimma Adetshina’s Inspiring Rise to the Miss Universe Stage
BBL Comedy Box: Showcasing South-Eastern Nigeria’s Comic Brilliance
What Has Happened to Igbo Language Novels?
Too Early for Birds Chronicles Tom Mboya’s Legacy with Wit and Heart
The Legacy of Loss | Nonfiction by Damilola Olaniyi
What Is the State of Nigeria’s Natural Parks and Game Reserves?
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Interviews
In Conversation: Aisosa is Nigeria’s Newest Lover Boy and R&B Champion
In Conversation: Bowman Aremwaki, the Ugandan Artiste with a Universal Musical Language
In Conversation: How ‘Najite Dede Takes on the Screen and Theatre as a Multifaceted Filmmaker
“In Poetry I Found My Voice, and in Poetry I Keep It Loud”: Dorphanage, Kenyan Spoken Word Artist, In Conversation
In Conversation: Obi Maduegbuna on Voice Acting, “Iwájú”, and Future Plans in Filmmaking
David Olatoye: A Visual Artist Forging His Identity Through Pen and Canvas
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Film & TV
The Cuts of Speaking Truth in Nigerian Cinema
AFRIFF 2025: Kalu Oji Reflects on Fatherhood and the Igbo Immigrant Experience in Tender Debut Feature, “Pasa Faho”
AFRIFF 2025: “Son of the Soil” Stages a Generic and Unconvincing Revenge Tale on the Streets of Lagos
“Osamede” Review: James Omokweʼs Film Shines in Language but Falters in Form
“Finding Optel” Review: A Tender, Uneven Portrait of Ordinary Lives and the Quiet Radicalism of Small Stories
“Gingerrr” Review: Yemi Morafa’s Film Is a More Chaotic, Less Memorable “Sugar Rush”
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Music
In Conversation: Fimí Talks Rap, Creative Confidence, and Finding Her Voice Through Music
Afrocritik Weekly Music Spotlight: Second Bridge Week
“No Sign of Weakness” Review: Burna Boy’s LP Is Technical, Polished, Yet Safely Played
“Paradise Now” Review: Obongjayar’s Sophomore Album Is a Fitting Treatise on Self
10 Artistes Leading the Afro-Gospel Sound in 2025
Afrocritik Weekly Music Spotlight: Bridge Week
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VIDEOS
Welcome to our YouTube Channel
Books
Afrocritik’s 35 Remarkable African Short Stories in 2024
“And So I Roar” Review: Abi Dare’s Sequel Sends Powerful Message on Female Advocacy
“The Road to the Country” Review: Chigozie Obioma’s Book Explores the Costs of War, Guilt, and the Enduring Survival of Love
Finding Freedom: Aké Arts and Book Festival Returns with a Focus on Diverse Voices
“The Most Secret Memory of Men” Review: Mohamed Mbougar Sarr’s Book Engages with the Complexities of Literary Critique
“After the End” Review: Olukorede Yishau’s Book Explores Betrayal and Trauma in Fine Detail
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Culture
Five Colourful Festivals Across West Africa
Hair Fetish Has Come a Longer Way Than We Know. It Is More Complex Than We Assumed
Here Are Six Things You Shouldn’t Discuss On A First Date
DishAfrik, A Culinary App That Seeks To Curate African Cuisine On A Global Scale, Set To Launch In Style
Has The Concept Of Tolerance In Marriage Become Old-Fashioned?
Tribal Marks: Cultural Heritage, Or Plain Barbarism?
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Fashion
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
Read More
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
Read More
Sports
How Lucrative is the Competitive E-sports Industry Today?
BAL 2024: A Definitive Guide to the Basketball Africa League Season
WAFCON 2024: Does CAF’s Failure to Set a Date Reflect Unequal Treatment of Women’s Football?
2024 UCI World Tour: Louis Meintjes, Henok Mulubrhan, and Stefan De Bod Ride in the Tour de Romandie
AFCON Futsal Semi-Finals: Teams Vie for World Cup Qualification and Continental Glory
What Private Investment Could Mean for the Nigerian Premier Football League
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Explainers
Fiction & Poetry
Three Square Meal | Obongofon Etuk
1929 | Chinemerem Prince Nwankwo
Eye | Ogah Friday David
The Translator | Karen Jennings
You Win in This Fight, Against God | Okorie Divine
Hands | Feyisayo Anjorin
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