Afrocritik
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Features & Essays

WHY NIGERIANS THINK MR EAZI IS NO LONGER MUSICALLY RELEVANT - AND WHY THEY ARE VERY WRONG

Interviews

Film & TV

Binti Movie Review: Tanzanian, Seko Shamte Tells the Story of Womanhood on Netflix
The Girl in the Yellow Jumper Movie Review: Ugandan Thriller Thrives on a Story of Improbabilities and Suspense
Chief Daddy 2 Review: Netflix’s Sequel Is a Bad Start to an Initially Promising Year
A Naija Christmas Review: Kunle Afolayan’s Delightful But Unsatisfactory Christmas Romp
Whose Funeral Is It? A Review of “How To Ruin Christmas” Season 2: “The Funeral”
Nollywood Horror Film “Hex” Review: A Clarence Peter’s Experimental Foray Into Film Making

Music

Wendy Shay
Wendy Shay Meanders on Mediocre “Enigma” EP
The Kadosh
“The Kadosh” Album Seals Joe Mettle’s Rousing Prowess in Gospel Music
Wizkid MLLE Cover
Wizkid Coasts around His Comfort Zone on “More Love, Less Ego” Album
Sarkodie
Sarkodie Spreads His Sonic Tentacles on “JAMZ” Album
Lady Zamar Delivers a Delightful Taste of House on “Royal Flush” EP
Seyi Vibez
Seyi Vibez Unlocks His Signature Sound on “Billion Dollar Baby” Album
Afrocritik Report - 2026 2025-01

VIDEOS

Welcome to our YouTube Channel

Books

Culture

Fashion

Grammy

2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet

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AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry