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Afrocritik Announces Key Editorial Promotions
In Conversation: oSHAMO Talks Fuji, Self-Discovery, and What’s Next
How Visa Denials Are Costing African Film Professionals More Than Just a Trip
Features & Essays
Social Entrepreneurship in Africa: A Case of the Nigerian and Kenyan Social Enterprise Ecosystem
Mohbad: Post-Death Fame, and the Postmodern Reality of the Tortured Artist
Eco-Warriors: Gen Zs in Africa Leading the Sustainability Movement
Black History Month: 3 Inspirational Women Who Paved Way for Black Inclusivity
Democracy in the Digital Age: How Do Internet Shutdowns Impact Fairness During African Elections?
The Nollywood Mystery Thriller: Sometimes It’s Elementary, and Sometimes There’s None
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Interviews
“Every Day Presents Another Angle to Approach My Music”: DumomiTheJig, the Artiste in His Debut Year in the Music Scene
“When It Comes to Lovesongs, Nobody Can Touch Me”: Joeboy, in Conversation with Afrocritik
“I Learnt to Let the Story Lead”: Nigerian Filmmaker, Wingonia Ikpi, on Producing the Crime-Comedy, “Bank Alert”
The Ingenuity of Mr Eazi: An Exclusive Interview with a New Era Connoisseur for Art and Talent
“‘Proof of Life’ Is a Rebirth for Me”: Skales Speaks on His Latest Project with Afrocritik
“Versatility Helps, But Perseverance is Key”: Nigerian Actor, Eso Dike, on Breaking into Nollywood
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Film & TV
TIFF 2025: Eimi Imanishi’s “Nomad Shadow” Deftly Navigates the Intricacies of Exile
TIFF 2025: Achille Ronaimou’s “Diya” Confronts The Brutal Arithmetic Of Justice And Retribution
“Say Who Die?” Review: Paul Utomiʼs Film Crumbles Under the Weight of its Own Ambition
NIFS Dispatch: 5 Key Takeaways from the 2025 Nigerian International Film Summit
“Sin: First Blood” and “Sin: Blackout” Review: The Irredeemable Failure of Jim Iyke’s Big-Budget Crime Thriller Wannabe
Noise or Attention: What Really Sells Nollywood Films?
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Music
“This Feels Like An Interlude” Review: Lady Donli Explores Fragile Love on Inventive EP
Top 10 African Festivals to Attend This Summer
Afrocritik’s Weekly Music Spotlight: Afrobeats Summer
“Thato Ya Modimo” Review: Kelvin Momo Cements His Legacy on Sprawling Album
“The Feast” Review: Falz Blends Different Soundscapes Into His Most Varied Project Yet
“Uncle K: Lemon Chase” Review: Kizz Daniel’s EP Is Refreshingly Potent
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VIDEOS
Welcome to our YouTube Channel
Books
“On the Train to Hell” Review: Throes and Consciousness Helm Tolu A Akinyemi’s Poetry Collection
“Love Grows Stronger in Death” Anthology Explores the Depth of Human Emotions Amidst Mortality
Ayòbámi Adébáyò and Caleb Azumah Nelson Shortlisted for the 2024 Dylan Thomas Prize
The Portrayal of Place, Dream, and History in Tares Oburumu’s “Origin of Syma Species”
Africanfuturism: A Literary Plane of Infinite Possibilities for Africa’s Future
“All Art Helps Us to See the Humanity of Another”: Kenya Writer, Dennis Mugaa, Speaks About His Forthcoming Debut, “Half Portraits Under Water”
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Culture
Has Oral Tradition In Africa Gone Extinct?
Chioma Ajunwa: Is Her 25-Year Wait A Symptom Of A Fractured System?
Have Africans Failed To Properly Curate Their Own History?
Being Feminist And Queer In Nigeria: A Double Whammy
How The Nigerian Educational System Promotes Nepotism
Is Atheism Slowly Catching On In Nigeria?
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Fashion
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Sports
Elizabeth Oshoba Punches Through Barriers as Nigeria’s First Female World Boxing Champion
From Setbacks to Glory: Senegal is Having a Football Renaissance with Aliou Cissé
Ranking AFCON Host Performances in the Past Decade
Elias “Domingues” Pelembe: The Mozambican 40-Year-Old Captain, His Longevity, and Enduring Passion for Football
Ready to Play: Music Playlist for the AFCON 2023
8 Interesting Facts About Cameroonian Fighter, Francis Ngannou
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Explainers
Fiction & Poetry
Homecoming | Sunday Saheed
of memories, moments & manhood | Jaachị Anyatọnwụ
After The Giant Greenlights, Nothing Here Is Worthy Of Symphony? | Psalmuel Benjamin
Tochi Lives | Ubong Johnson
The Last Rule of Theft | Oluseye Fakinlede
Planes and Plains | Ugochukwu Anadị
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