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ABOUT
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Afrocritik Announces Key Editorial Promotions
In Conversation: oSHAMO Talks Fuji, Self-Discovery, and What’s Next
How Visa Denials Are Costing African Film Professionals More Than Just a Trip
Features & Essays
The Politics of Cooking and Traditional Roles in the Nigerian Family
Why AI Misinformation is a Serious Threat to Elections and Democracy
What the African Continental Free Trade Area (AfCFTA) Could Mean for Africa’s Creative Industry
FESPACO: An Enduring Role in Promoting African Cinema
Brymo, Macabre, and Reconciling with the Art of Controversial Artists
Further Reflections on “Sóró Sóké”: In Conversation with Oyindamola Shoola
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Interviews
“Music is One of My Filmmaking Signatures”: Nigerian Filmmaker, Kayode Kasum, in Conversation with Afrocritik
Coming of Age in Nollywood: In Conversation with the Young Actors in the Feature Film, “Ijogbon”
“The Films I Make Are About Aspects of What I’ve Seen and Experienced’’: South African Filmmaker, Ian Gabriel, on the Authenticity in Creating the Crime-Thriller, “Death of a Whistleblower”
“The Fun Projects Are the Most Challenging”: Femi Dapson, on Securing a Spot as a Top Music Video Producer in Nigeria
“The Idea For My Film ‘Orah’ Came After My Younger Brother Was Killed By SARS Officers”: Nigerian-Canadian Filmmaker, Lonzo Nzekwe, in Conversation with Afrocritik
Interview: Novelist, Famous Chukwuemeka, on Exploring the Extremes of Beliefs and Devotion with Debut Novel, “We Will Live Again”
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Film & TV
“Out in the Darkness” Review: Sarah Kwaji’s Film Feebly Explores Postpartum Health
“Devil is a Liar” Review: Moses Inwangʼs Film Lies About the Story It Is Telling
“Finding Nina” Review: Nemsia Studios Makes a Soulless Pitch for Positive Portrayals of Northern Nigeria
“Cordelia” Review: Tunde Kelani’s Return to Cinemas is an Ambitious but Inconsistent Adaptation
“PLS RT” Review: Ifeanyi Barbara Chidi’s Film Brings Urgency to Nigeria’s Kidnapping Crisis
“Zikoko Life” Review: The Unwavering “Female Happiness” Agenda of BluHouse and Big Cabal’s Anthology Series
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Music
Afrocritik’s Weekly Music Spotlight: Soul Celebration
The Cultural and Structural Realities Behind Llona and Odumodublvck’s Grassroots Tours
10 Times Nigerian Songs Made a Surprise Comeback Online
“Love Is War” Review: Starsamm Shows Promise on Debut EP
Afrocritik’s Weekly Music Spotlight: Soulful Tunes
Tolani Is Creating Music on Her Own Terms
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VIDEOS
Welcome to our YouTube Channel
Books
Masobe Books to Open 2024 Submissions Window for Emerging Authors on February 1
Mubanga Kalimamukwento Wins 2024 Drue Heinz Literature Prize
African Authors, Ayọ̀bámi Adébáyọ̀ and Caleb Azumah Nelson, Longlisted for 2024 Dylan Thomas Prize
Teju Cole, Marie Ndiaye, Romeo Oriogun, Shortlisted for 2023 NBCC Awards
“Winning the James Currey Prize Might Represent My Coming of Age as a Writer”: In Conversation with 2023 Prizewinner, Peter Ngila Njeri
Spotlight on African Voices as British Science Fiction Association Awards (BSFA) Unveils 2024 Longlist
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Culture
Feminism And Allyship In Nigeria: Here Is What You Should Know
How Igbo Traditional Religion Intersects With Modern Christianity, And Why The Igbos Easily Embraced The “White Man’s Religion”
Pride Month 2021: Dangerous Myths About LGBTQ+ People In Nigeria That Should Be Left Behind
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Fashion
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Sports
AFCON 2023: The Dynamic Players, the Teams, and Their Diverse Origins
Anthony Joshua and Francis Ngannou Set for Epic Showdown in Saudi Arabia
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Explainers
Fiction & Poetry
Burning Bodies | Chourouq Nasri
Open City & Other Poems
Woman Protester, & Praise Song
Poetry: Agbalala, & How Was It You Died?
A Journey to Gwarinpa, Abuja
Haunting
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