Afrocritik
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Features & Essays

holy hustle
Sanctified Sleeplessness: Nigeria’s Addiction to Holy Hustle
Enugu Photo Festival
Enugu Photo Festival: Architectural Ruins and the Death of Preservation
Perliks
How Perliks Became Nigeria’s Most Story-Driven Music Video Director
reading
How Should We Read? Akpata Magazine and the Reading Debate
The Milkmaid
The Cuts of Speaking Truth in Nigerian Cinema
Wizkid
How Wizkid Redefined Nigeria’s Sonic Landscape With “Made In Lagos”

Interviews

Alexander Nderitu
“Nairobi Is a City Where Literature Thrives”: In Conversation With Alexander Nderitu, Africa’s First Digital Novelist
Vincho Nchogu
BFI London Film Festival 2025: In Conversation With Vincho Nchogu and Josh Olaoluwa, Director and Producer of “One Woman One Bra”
Wale Davies
“Creators Have Been Blessed With An Opportunity To Start Conversations”: Wale Davies on Writing “My Father’s Shadow”
Oyin Olugbile
“I Write Because I Have to Tell the Story”: In Conversation With Oyin Olugbile on Her Nigeria Prize for Literature Shortlist, “Sanya”
Nikki May
“It’s People You Belong To Rather Than Places”: In Conversation With Nikki May on Her Nigeria Prize for Literature Shortlist, “This Motherless Land”
Omotola Jalade Ekeinde
In Conversation With Omotola Jalade Ekeinde On Her Directorial Debut, “Mother’s Love”

Film & TV

Akinola Davies Jr
“Art Has the Capacity to Move the Needle”: In Conversation with Akinola Davies Jr. on “My Father’s Shadow”, Nigerian History, and Casting Choices
Rami Jarboui
Sundance 2026: In Conversation with Rami Jarboui, Director of “The Bird’s Placebo”
African film industry
What Trends Will Drive Africa’s Film Industry in 2026?
Birdie
Sundance 2026: Praise Odigie Paige’s “Birdie” Interrogates War, Displacement, and the Frayed Edges of Memory
movie stars
Why Nollywood Has Stars but No Movie Stars
The Ghoul Awakens
“Aníkúlápó: The Ghoul Awakens” Pursues Adventure At The Expense of Cohesion

Music

Oontz
The Rise of Kenyan Oontz Music and Culture
10 Classic African Songs Turning 10 in 2026
10 Classic African Songs Turning 10 in 2026
politics
The Myth of the Apolitical Artiste
Faloh Jagaban
“Eba Anthem” Review: How Faloh Jagaban Turned a Staple into a Cultural Statement and Disapora Identity
Afrocritik’s Top 50 African Music Projects of 2025
Afrocritik’s Top 50 African Music Projects of 2025
Afrocritik’s Top 100 African Songs of 2025
Afrocritik’s Top 100 African Songs of 2025
Afrocritik Report - 2026 2025-01

VIDEOS

Welcome to our YouTube Channel

Books

Meja Mwangi
The Life and Works of Meja Mwangi, Kenya’s Great Chronicler
Ojirami
“Ojirami: The Weeping River” Review: Immigration, Myth, and Tragedy Swirl in a Play About the Potency of a Deity
Under the Rain
“Under the Rain” Review: Ayo Deforge Writes About Profound Loss, Duty, and Compromises
Cursed Daughters
“Cursed Daughters” Review: Oyinkan Braithwaite’s Sophomore Novel Explores Superstition, Matrilineage, and Intergenerational Trauma
Will This Be A Problem? The Anthology: Issue V
“Will This Be a Problem? The Anthology: Issue V” Review: Speculative Cartographies Map the New African Imagination
Dilemma of an Outcast
“Dilemma of an Outcast” Review: Anih Emeka’s Debut Novel Interrogates Bigotry but Falters in Its Attempt at Storytelling

Culture

Women
Undoing the Knots Society Tied in Your Mind
Surnames
Whose Name Do You Bear? The Politics of Surnames and the Erasure of African Women
Labubu dolls
How Capitalists Are Exploiting Us Through ‘Must-Haves’
To Kill a Monkey
To Kill a Conversation: Nollywood, Criticism, and the Culture of Silence
Nigeria
Nigeria’s Class Problem and the Nepotism Debate
Skincare
Why African Men Are Finally Embracing Skincare

Fashion

Grammy

2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet

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AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Magic Viewers’ Choice Awards

Sports

Kelechi Nwakali
Kelechi Nwakali: Stuck in Football’s Revolving Door
women’s football
A $100,000 Reward, No Infrastructure: Nigeria Must Rethink Women’s Football
The African Giant
Documentary Spotlight: “The African Giant”
AfroBasket
The Ultimate Guide to the 2025 Women’s AfroBasket in Côte d’Ivoire
WAFCON
WAFCON 2024 Quarterfinal Guide: Players to Watch and Our Predictions
WAFCON
WAFCON 2024: African Women’s Football Deserves Better Broadcast Coverage

Explainers

Bongo Flava artistes
Bongo Flava: The Evolution of East Africa’s Soundtrack
Cold chain storage technology
Examining the Role of Cold Chain Storage Facilities in Reducing Nigeria’s Post-harvest Losses
A cross-section of African album covers
The Art Behind the Music: Why Album Covers Matter
A cross-section of albums utilising an album rollout
The Power and Essence of Album Rollouts
AI Voice Cloning Scams
AI Voice Cloning Scams: How to Protect Yourself
African Basketball
African Basketball in Paris: South Sudan and Nigeria Face Formidable Olympic Hurdles

Fiction & Poetry

How to “Hide My ID” Like a Typical Northern Housewife
poems
“Time After Time” & “Buy Her an Air Fryer” | Poems by Sheila Ngei
The Geometry of Nonsense
The Geometry of Nonsense | Poem By Obongofon Etuk
Mine Too Counts
“Mine Too Counts” Review: Agbeye Oburumu Gives Voice to the Pains of the Nigerian Masses
poems
“I Give You Softness” and Other Poems | By Olobo Ejile
Àtìpó: The Stranger I Have Become
“Àtìpó: The Stranger I Have Become” and Other Poems | by Olamoyegun Noah O