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The Will to Leave and Live: A Review of Emmanuel Eruemulor’s “Unwanted”
Lights, Camera, Africa! Returns to Lagos After Six Years With “Convivium: In Gathering”
Sundance Institute Names Rami Jarboui Among 2026 Documentary Fund Grantees
Features & Essays
The 2023 Caine Prize Shortlist Leaves Bright and Dull Lights
Sondeka Awards: How Creatives Garage Continues to Empower Kenyan & African Creatives
Oladapo Ogunjobi is Harnessing Augmented Reality to Re-define African Art: In Conversation with Afrocritik
Oliver De Coque’s Swansong: What is the Legacy of the Fabled Nigerian Guitarist?
Beyond the World Record, Hilda Baci’s Cook-a-thon Unveils Nigerians’ Relationship with Food and Propriety
25 Queer Books from African and African Diasporan Writers
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Interviews
Film & TV
In Conversation: Wingonia Ikpi Talks Making “The Lost Days”, the First Features Project, and What’s Next
Maia Lekow And Christopher King Want To Make Films About Kenyan Women With A Strong Sense Of Agency
“Matabeleland” Review: Nyasha Kadandara’s Documentary Contends With Zimbabwe’s Troubled Past
“Making a Film Anywhere in Africa Is a Struggle”: In Conversation With Tunisian Filmmaker, Amel Guellaty, Director of “Where the Wind Comes From”
“Ms. Kanyin” Review: Jerry Ossaiʼs Wannabe Horror Flick is Forgettable
Dear Nollywood, Stop Using Sexual Violence as a Plot Device
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Music
“The Machine Is Coming” Review: Odumodublvck’s New Project Is a Statement and a Warning
“Viva Lavida” Review: Joeboy Examines Love and Life on Expressive New Album
“Blownboy Ru” Review: Ruger’s Sophomore Album Stays True to His Afro-Dancehall Roots
Afrocritik’s Weekly Music Spotlight: Touch of Gospel
The Manifesto of M.anifest: New Roads, Same Genius
Afrocritik’s Weekly Music Spotlight: Rhythm & Blues
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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