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African Cinema’s Long Road to Freedom
“The Almajiri” Review: Jammal Ibrahim’s Debut Asks Difficult Questions About Education, Faith, and Northern Nigeria’s Future
How Contemporary Nollywood Uses Humour to Both Expose and Excuse the Politics of Marriage
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Film & TV
For Maria Ebun Pataki Movie Review: A Remarkable Telling of a Rarely Told Story
Tanwa Savage Review: Screenplay Flops Serve as the Ruin on Geshin Salvador’s Tanwa Savage
Superstar: Nollywood Movie Review: An Enjoyable Celebrity Story With A Little Too Much To Say
Binti Movie Review: Tanzanian, Seko Shamte Tells the Story of Womanhood on Netflix
The Girl in the Yellow Jumper Movie Review: Ugandan Thriller Thrives on a Story of Improbabilities and Suspense
Chief Daddy 2 Review: Netflix’s Sequel Is a Bad Start to an Initially Promising Year
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Music
Nikita Kering’ Relives Endless Battles With Trauma on “The Other Side” EP
Tim Godfrey’s 7th Album, “Chapter One,” is Blemished by Faulty Vocal Projection
“Black Panther: Wakanda Forever” Album is a Lengthy Project That Offers Closure
Hillzy Shows Sonic Range on “In the Building” Album
On “THE4MULA,” Blxckie Gets Lost in a Sea of Thematic Monotony
Wendy Shay Meanders on Mediocre “Enigma” EP
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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2025 AMVCA: How the Stars Lit up the Night With Style
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