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“One Gidi Night” Review: A Thriller That Finds Its Rhythm Only to Lose It
The Will to Leave and Live: A Review of Emmanuel Eruemulor’s “Unwanted”
Lights, Camera, Africa! Returns to Lagos After Six Years With “Convivium: In Gathering”
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Film & TV
Four Nollywood Crime Thrillers to Stream After “Blood Sisters” (And Four Coming Soon)
“Blood Sisters” Review: Netflix’s First Nigerian Original Series is EbonyLife’s Dramatic Comeback
“Silverton Siege” Review: Is this Film about the Silverton Trio? Not Really
Now That “The Real Housewives of Lagos” Has Brought You to Showmax, Here Are Other African Shows on It to See
“The Man of God” Review: Austen-Peters’ Latest Netflix Release Struggles Against Itself to be Great
“Lady Buckit and the Motley Mopsters” Review: Nigeria’s First Feature-Length Animation Comes to Netflix
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Music
“Sunsets in Lagos” is a Belated, Exquisite Compilation by Bella Alubo
“Broke Nolunkumbwa” LP is a Long, Tedious Spin through Chef 187’s State of Mind
Seyi Vibez Prods at Dominance in 2023 with Subpar Shaje-Powered “Memory Card” Mixtape
Waje’s Inconsistency Undermines “The Misfit” Album
Zinoleesky Makes Emphatic Bid for Timelessness with “Grit & Lust” EP
Mavin Records’ “Chapter X” is a Showcase of the Current Mavin Class
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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