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Documentary Spotlight: “Fantastique”
Locarno Film Festival Open Doors 2026 Unveils African Selection
“Ọ̀kànjúwà” Review: Inkblot and FilmOne Throw a Mediocre Party with Elementary Moral Lessons
Features & Essays
The S16 Collective: Who are These Nollywood Indie Filmmakers?
Attractive People are Having it Easier: Hello to Aesthetic Medicine?
“A Japa Tale” is Dika Ofoma’s Intriguing Exploration of Migration, Relationships, and Ambition
Are Creative Writing MFAs the New Reality for Contemporary African Writing?
How Africa is Turning Against People with Albinism
Don’t Sleep, Wake Up! How Afrobeats Motivates Listeners to Aspire for Success
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Interviews
Film & TV
All You Need to Know about “77: The FESTAC Conspiracy”
“A Ghetto Love Story” Review: Basketmouth’s First Foray Into Film Production Is Impressive
“Umjolo: The Gone Girl” Review: Fikile Mogodi’s Debut Feature Lacks Substance
“Loose Cannon” Review: Olisa Eloka’s Short Film Is a Reminder of War’s Devastating Consequences
“Hijack ‘93” Review: Robert O. Peters’ Thriller Fails to Take Flight
“At Ease” Review: Seun Richards’ Directorial Debut Is a Refreshing Take on War Trauma
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Music
African Artistes at the 2025 Grammys: Top Contenders, Surprising Snubs, and Key Takeaways
Juliana Ehada Showcases Sonic Dynamism On “Smile Until The Devil Cries”
How Fuji Music Influences the Modern Afro-Pop Soundscape
The Best Nigerian Music Videos Released So Far in 2024
20 Nigerian Underground Songs That Should Be On Your Playlist
10 Nigerian Music Snippets Left Unreleased
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AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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