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Afrocritik Announces Key Editorial Promotions
In Conversation: oSHAMO Talks Fuji, Self-Discovery, and What’s Next
How Visa Denials Are Costing African Film Professionals More Than Just a Trip
Features & Essays
Has Nigerian Hip-Hop Found Its Mojo Again?
The Cuttings of 2025: Are African Literary Prizes Out of Touch?
In Absence, You Find Presence: What “My Father’s Shadow” Taught Me About Remembering
Nollywood and Its Complicated Relationship with the Oscars
Animating Africa: Inside the Rise and Realities of African Animation
Whose Name Do You Bear? The Politics of Surnames and the Erasure of African Women
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Interviews
In Conversation With Deola And Darey Art Alade: On Making EWA “Africa’s Definitive Creative Convergence”
TIFF 2025: In Conversation With the Cast and Crew of “Nomad Shadow”
In Conversation: Achille Ronaimou on “Diya”, Confronting Tradition, Justice, and Forgiveness in Chad
TIFF 2025: In Conversation With Zamo Mkhwanazi, Director Of “Laundry”
The Neo-Arewa Soundscapes of FirstKlaz
“None of Us Is Immune”: In Conversation with Afolabi Olalekan and Blessing Uzzi, Director and Producer of “Freedom Way”
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Film & TV
Sundance 2026: In Conversation with “Kikuyu Land” Directors, Bea Wangondu and Andrew H. Brown
Sundance 2026: “Jazz Infernal” Is a Sonic Portrait of Diaspora and Legacy
“A Very Dirty Christmas” Review: Religion and Nollywood’s Soft Censorship
Sundance 2026: Olive Nwosu’s “Lady” Weaves Dreams, Trauma, and Chaos into a Gender-Aware Debut
25 African Films Turning 10 in 2026
“Colours of Fire” and the Anxiety of Technical Progress
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Music
“Afroculture” Review: Flavour Embodies The Sounds of Africa on New Album
“Love Is A Kingdom” Review: Tems’ EP Is a Soul-Deep Exploration of Love’s Many Dimensions
“Fuji Moto” Review: Seyi Vibez’s Ambitious Album Lacks Coherence
How Perliks Became Nigeria’s Most Story-Driven Music Video Director
“Sabali” Review: Peruzzi’s Long-Awaited Album Reasserts His Status as Afro-Pop’s Melody King
On “Psalm 23” and “Psalm 16”, Shona Raps the Shepherd’s Love into Sound [Review]
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VIDEOS
Welcome to our YouTube Channel
Books
The Many Pleasures in Absurdity: A Review of Jesutomisin Ipinmoye’s “How to Get Rid of Ants”
“Bitter Honey” Review: Lọlá Ákínmádé Åkerström Explores Generational Trauma and Its Effect on Matrilineal Connection
“A Meal Is a Meal” Review: Nnamdi Anyadu’s Collection Serves a Balanced Plate of Pleasures
“The Beast of Green Manor” Review: Grace Grandi Turns Melodrama Into a Mirror for Family, Pride, and Survival
“Worse Than Fire”: On Water, Violence, and the Fragility of Home
“Everything Is Not Enough” Review: Lola Akinmade Åkerström’s Sequel Deepens Her Mirror of Black Womanhood and Survival
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Culture
To Sacrifice for Love: A Case for the Beauty of Marriage
Can Crime Reporting Apps Increase Police Responsiveness in Africa?
The Misogyny of “Wife vs. Mom” Hypotheticals and Why We Must Retire Them
Do African Languages Come From the Same Place?
10 Must-Have Apps for University Students in Africa
Should We Be Having Deep Conversations With AI Chatbots?
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Fashion
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Sports
Kyalami’s Renaissance: Paving the Way for F1’s Return to Africa
Africa at the 2025 FIFA Club World Cup
Has the African Football League Gone Ghost?
Unity Cup 2025: New Squads, Old Rivalries, One Cause
Why Are East Africa’s Best Athletes Competing for Other Countries?
The 2025 CAF U-20 Africa Cup of Nations: Competition Review, Standout Players, and Finals Preview
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Explainers
Understanding Music Marketing Beyond Publicity Stunts: A Guide for African Artistes
Enhancing Learning for African Children with Disabilities Through Assistive Technologies
The Never-Ending Upheavals of the Nigerian Basketball Federation
Ewa Cole vs Funke Akindele Copyright Dispute: Exclusive Details as Court Hearing Begins
Remote Work Safety: A Guide to Preventing Data Breaches While Working from Home
Wangiri Call-Back Scam: What It Is and How to Protect Yourself
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Fiction & Poetry
Two Poems | By Salama Wainaina
Dearth Warning Signs | Poem By Peace Ogunjemilua
Three Poems | By Olamoyegun Noah O
Two Poems | By Tukur Ridwan
The Dreamer | Short Story By Ornguze Nashima Nathaniel
“Life’s Daunting Stare” & “Home As A Symbol Of Nostalgia” | Poems By Ewurama Tawiah Welbeck
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