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Afrocritik Announces Key Editorial Promotions
In Conversation: oSHAMO Talks Fuji, Self-Discovery, and What’s Next
How Visa Denials Are Costing African Film Professionals More Than Just a Trip
Features & Essays
Dear Nollywood, Stop Using Sexual Violence as a Plot Device
Do African Languages Come From the Same Place?
How Geoblocking and Cinema Scheduling Bias Undermine Distribution in Nollywood
The Legend of Area Scatter: Enigmatic Musician or Misunderstood Individual?
The Life and Political Imaginations of Ngũgĩ wa Thiong’o
What’s Behind Nigeria’s Fear and Criminalisation of Dreadlocks?
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Interviews
Loud Urban Choir Is Redefining Choral Music in Afro-Pop
Billboard-Honoured Lawyer, Akinyemi Ayinoluwa, Talks Music Law, African Excellence, and Creative Rights
Blinky Bill: East Africa’s Quiet Radical
“Fortune Favours the Bold”: In Conversation With the Cast and Crew of “Red Circle”
In Conversation: Ife Olujuyigbe Talks Storytelling, the Realities of Producing, and Navigating Nollywood
Joel Kachi Benson Just Wants to Make an Impact
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Film & TV
Afrocritik’s 30 Remarkable African Feature Films of 2025
“Mothers of Chibok” Review: Joel ‘Kachi Benson Explores The Long Wait After Chibok
TSWA Film Festival 2025: “Girl-Boy”, “Say Something”, “Ziwa”, “Entre Nós e o Silêncio”, “Bureau De Change”, and “Fading Candle” Reviews
ADIFF 2025: Yassine Fennane’s “The Ants” Undertakes a Study in Dignity and Survival Across Class
TSWA Film Festival 2025: Freedom of Movement and the Cost of Survival in “Casablanca – Dakar” and “Seed Is Life”
ADIFF 2025: In Conversation With Nana Adwoa Frimpong, Producer of “The Eyes of Ghana”
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Music
“Industry Machine” Review: Odumodublvck’s Album Is Loud, Bold, and Loosely Bolted Together
“Protect Sarz At All Costs” Review: Sarz’s Star-Loaded Debut Is Brilliant in Parts, But Fails to Thrill Fully
“Peace By Piece” Review: Fireboy DML and Pheelz’s Collaborative EP Serves Up Feel-Good Afro-Pop Bliss
“Yariasu” Review: Nyashinski’s Familiarity Dulls the Spark of His Latest Album
“The Torcher” Review: Stonebwoy Proves His Pedigree on New Album
Afrocritik Weekly Music Spotlight: Mood Music
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VIDEOS
Welcome to our YouTube Channel
Books
“I Write Because I Have to Tell the Story”: In Conversation With Oyin Olugbile on Her Nigeria Prize for Literature Shortlist, “Sanya”
Macondo Literary Festival 2025: East Africa’s Literary Vanguard Holds Its Fifth Edition
“It’s People You Belong To Rather Than Places”: In Conversation With Nikki May on Her Nigeria Prize for Literature Shortlist, “This Motherless Land”
Nikki May’s “This Motherless Land” Is a Poignant Novel of Loss, Love, and the Divisions of Living Between Two Worlds
“Sanya” Review: Oyin Olugbile’s Debut Novel Is a Creative Retelling of Sango as a Woman Warrior
“Petrichor” Review: Ayo Oyeku’s Novel Is an Attempt to Probe the Meaning of Justice
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Culture
10 Times Nigerian Songs Made a Surprise Comeback Online
Can African Proptech Startups Build Trust in a Skeptical Market?
Can AI Make Loan Applications Fairer in Africa?
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
The Rise of Live-streaming in Nigerian Music Marketing
The Complex Relationship Between Football and Gambling
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Fashion
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
Read More
Sports
Is It Time to Ban Libya From Hosting African Football Games?
Transformation in South African Cricket: Can Quotas Ensure Both Fairness and Excellence?
How IFAB’s New Eight-Second Rule Could Reshape African Football Tactics
How Tems’ Stake in San Diego FC Bridges Music, Culture, and Sports
How Intra-Continental Cross-Border Coaching Appointments Are Redefining African Football
Cricket Glory: Africa’s Rising Stars at the U19 World Cup
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Explainers
Fiction & Poetry
Clan | Poem by Victor Obukata
Fine Geh | Fiction by Chizitere Madeleine Nwaemesi
Untitled Poem for a Boy Who Never Knew Love | By Stephen Nwankwo
Across the Border | Fiction by Bello Taiwo Victoria
“the village’s elegy” & “A sonnet is fighting absolution” | Poems by Josiane Kouagheu
“Transit”, “Leaven”, & ”Arrive in Your Skeleton” | Poems by Abiodun Salako
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