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Nigerian Bodybuilder Andrew Jacked Wins 2026 Arnold Classic Men’s Open Title
The Ethics of Knowledge and the Difficult Conversation Around Book Piracy in Africa
Royalties 101: How Music Actually Makes Money
Features & Essays
Deeper Life Bible Church: is the Church taking a 360?
Social Media, Narcissism, and the Craze for Validation
Is the Society Hindering Heterosexual Men From Forming Stronger Friendships?
Gender Constructs Are No Basis For Moral Judgement
Freedom for Religious Proselytism
One Year After “End SARS” Protest, Police Brutality Still Looms
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Interviews
Film & TV
“Introducing the Kujus” Review: Biodun Stephen Creates a Dramatic and Incredibly Relatable Family
“Silent Baron” Review: An Easily Forgettable Tale of Blinded Trust and Stolen Innocence
“Rise” Review: Akin Omotoso Directs a Family-Friendly Sports Biopic for Disney
“Ile Owo” Review: Dare Olaitan’s Horror Film Is Heavy on Suspense and Light on Terror
“Glamour Girls” Review: Play Network Ruins Yet Another Nollywood Classic
Netflix’s “Trees of Peace” Review: Saved by the Will to Survive
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Music
Joeboy Delivers More of the Familiar on “Body & Soul” LP
Wande Coal Shores Up Legacy on “Legend Or No Legend” Album
YKB Trends Slowly but Steadily in the Right Direction on “Yusful Music” EP
Rema Bolsters His Leading Effort with “Rave & Roses Ultra” LP
Kenyan Star, Bensoul, Lights up His Own Lane with “The Lion of Sudah” Album
L.A.X Shows Lack of Sonic Ambition on “No Bad Vibes” EP
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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