Afrocritik
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Features & Essays

Big Brother Naija: In The End, We are All Tega
Has The Concept Of Tolerance In Marriage Become Old-Fashioned?
Why Are We So Obsessed With The Personal Lives Of Celebrities?
Big Brother Naija: When Are We Going To Have That Mental Health Conversation?
Doing Christianity The “Adefarasin Way”
From Port Harcourt To The World: Meet 1DA Banton, The Former Church Drummer Whose Sound Emphasises The Good Life

Interviews

Film & TV

“The Man for the Job” Review: More Is Less in Niyi Akinmolayan’s Tech-World Crime Thriller
Four Nollywood Crime Thrillers to Stream After “Blood Sisters” (And Four Coming Soon)
“Blood Sisters” Review: Netflix’s First Nigerian Original Series is EbonyLife’s Dramatic Comeback
“Silverton Siege” Review: Is this Film about the Silverton Trio? Not Really
Now That “The Real Housewives of Lagos” Has Brought You to Showmax, Here Are Other African Shows on It to See
“The Man of God” Review: Austen-Peters’ Latest Netflix Release Struggles Against Itself to be Great

Music

Ice Prince’s “To Be Continued” EP is a Vibrant, Genre-Bending Return 
With “Continental Playlist,” King Perryy Takes a  Bold Step forward 
With “Pheelz Good,” Pheelz Solidifies Himself as a Music Connoisseur
DJ Spinall Attains Lofty Heights with “Top Boy” Album
With “Soundtrack to the Good Life,” Ajebutter22 Chaperones Listeners Towards the Good Life
Kabza De Small and Stakev Display the Softer Side of Amapiano on “Rekere” Album
Afrocritik Report - 2026 2025-01

VIDEOS

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Books

Culture

Fashion

Grammy

2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet

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AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry