Afrocritik
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Features & Essays

Here Is My Life, A Time Capsule For Grief
Do You Want To Listen To Nigerian Songs While Having Sex? Here’s A Playlist For You
Meet Boom General, The Genre-Bending Artiste Eager To Dominate Nigerian Music
How Music Influences The Direction Of Global Politics
Why The Music Of Johnny Drille Resonates With Nigeria’s Hopeless Romantics
Has Filmmaking In Nollywood Gone To The Dogs?

Interviews

Film & TV

Head Over Bills Review: Of Wasted Potentials and Squandered Opportunities
Dinner at My Place Review: In Kevin Luther Apaa’s Rom-Com, Romance Is as Important as Comedy
Top Seven Nollywood Movies to See This Valentine Season
Amandla Review: Of Struggle, Tragedy, and Questionable Screenplay Decisions
Ritual Killings in Nigeria: Can Any Responsibility Be Attributed to Nollywood?
Juju Stories Review: Surreal 16’s Bold and Artistic Exploration of Nigerian Urban Legends

Music

Zinoleesky Makes Emphatic Bid for Timelessness with “Grit & Lust” EP
Mavin Records’ “Chapter X” is a Showcase of the Current Mavin Class
Fridayy Tells an Impressive Story in “Lost in Melody”
Modenine Throws It Way Back Masterfully on “Popkorn!”
Runtown’s “$igns” Album is a Genre-Sliding, Beautiful Work of Art
Afrocritik Best 25 Music Albums of 2022
Afrocritik Report - 2026 2025-01

VIDEOS

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Books

Culture

Fashion

Grammy

2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet

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AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry