Afrocritik
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Features & Essays

Interviews

Film & TV

Netflix Series: A Review of South Africa’s “How To Ruin Christmas: The Wedding” First Season on Netflix
AMAA 2021 Awards: A Breakdown of the Wins and the Winners’ Losses
“Fine Wine” Review: Seyi Babatope’s Romantic Drama Comes Close To Being a Classic
“Happiness Ever After” Review: In This South African Romantic Drama, Choosing Oneself Is True Love
“Oga Bolaji” Review: Kayode Kasum’s Slow But Rewarding Social Commentary
Izu Ojukwu’s “Amina” is an Underwhelming Portrayal Of The Legendary Queen Amina of Zazzau

Music

Limoblaze
In “Sunday in Lagos,” Limoblaze Secures His Afro-Worship and Hip-Hop Niche 
Home
With “Home,” Johnny Drille Creates a Sonic Haven for His Listeners
Blaqbonez Continues to Grow and Shine on “Young Preacher” Album
Young Jonn’s “Love Is Not Enough Vol. 2” is a Faulty Sonic Gamble
Iyanya’s “The 6th Wave” EP is a Return to Form for the Afrobeats Icon
Joe Praize-The assignment-music-gospel-afrocritik
Joe Praize’s “The Assignment” Album is Covered with the Cloak of Excellence
Afrocritik Report - 2026 2025-01

VIDEOS

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Books

Culture

Fashion

Grammy

2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet

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AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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Africa Magic Viewers’ Choice Awards

Sports

Explainers

Fiction & Poetry